Wednesday, November 15, 2017

A Jolly Guaraldi Holiday 2017

The holiday season is upon us, and it's once again time to investigate the many Guaraldi-themed concerts taking place, most of which (of course!) are tied in to his music from A Charlie Brown Christmas.

I traced the history and growth of this delightful tradition back in 2012, with a modest schedule that now seems quaint. This new post will serve as a clearinghouse for any and all late 2017 concerts that come to my attention. As always, I'll add to this schedule as new information becomes available, so you'll want to check back frequently.

Our Canadian neighbors once again can enjoy the return of the season's most historic booking. Drummer Jerry Granelli, who worked as a member of Guaraldi's trio in the 1960s, will headline Charlie Brown's Christmas with his own trio: Simon Fisk (bass) and Chris Gestrin (piano). Granelli began this annual celebration with a few shows in 2013, and the results were quite popular (no surprise there). Only one show has been booked thus far: December 2 at Central United Church in Calgary, Alberta. Details.

Pianist David Benoit has taken the year off in terms of his annual Charlie Brown Christmas show, instead joining forces with saxman Dave Koz for the latter's 20th Anniversary Christmas Tour (coinciding with the release of Koz's new CD, 20th Anniversary Christmas). Koz and Benoit will be joined by trumpeter Rick Braun, acoustic guitarist Peter White, and vocalist Selina Albright. Koz's new album includes "Christmas Time Is Here," and with Benoit on board, you can count on at least a few more Guaraldi numbers. The tour kicks off November 24 in Atlanta, Georgia, with stops in Florida, New York, Ohio, Texas, Arizona, Nevada and several other states, before concluding December 23 in Cerritos, California. Check Benoit's web site for additional information.

Pianist Eric Mintel and his quartet — Nelson Hill, sax and flute; Jack Hegyi, bass; and Dave Mohn, drums — always have a busy schedule, and this year is no different. They're presenting a Charlie Brown Christmas Special November 30 at the Buttonwood Tree, in Middletown, Connecticut (details here); and another one December 21 at the Colonial Theater in Phoenixville, Pennsylvania (details here). The band has numerous gigs in between, as you can see by checking Mintel's web site; unfortunately, he doesn't specify which are Charlie Brown Christmas shows. You'll have to investigate dates in your area.

The Heather Pierson Trio — Pierson on piano; Shawn Nadeau on bass; Craig Bryan on drums — has scheduled a tour of (thus far) six shows devoted to A Charlie Brown Christmas. Most of the shows are in Maine: They kick off December 1 in Auburn, and conclude December 22 in Bangor; with a stop in between in New Hampshire. Check her website for details.

The Cartoon Christmas Trio - Jeff Knoettner, piano; Rob Swanson, bass; Jimmy Coleman, drums - doesn't concentrate solely on music from A Charlie Brown Christmas; they also pepper their performances with tunes from other animated holiday shows, such as Frosty the Snowman and How the Grinch Stole Christmas. (Their album is a kick; give it a listen.) They have several shows scheduled thus far, starting November 22 in Wilmington, Delaware; and concluding December 21, in West Chester, Pennsylvania. Check their website for details.

The Eric Byrd Trio — Byrd, piano and vocals; Bhagwan Khalsa, acoustic bass; Alphonso Young Jr., drums and percussion — also has made a cottage industry of Guaraldi's Christmas music, going so far as to cover most of the album in a 2009 release. Byrd's combo has taken its Charlie Brown Christmas Show on the road during previous years, but this year's tour is limited to seven shows in Washington, D.C., and Maryland, from November 26 through December 21. Check his website for details.

The San Francisco Symphony once again is getting into the act, with seven performances of A Charlie Brown Christmas — Live between December 21 and 24 at Davies Symphony Hall, in downtown San Francisco, California. The concerts will feature the Symphony and Symphony Chorus, along with dancers, narration and animated backdrops. Check their website for details.

Keyboardist David Ellington and his "Peanut Gallery" are holding court during December, with five Charlie Brown Christmas dates — December 10, 17, 21, 22 and 23 — at Venkman's in Atlanta, Georgia. This appears to be a dinner theater-type arrangement; check the venue for details.

Northern California jazz pianist Jim Martinez and his combo are taking The Jazz Music from A Charlie Brown Christmas on the road, starting December 1 in Bakersfield, California; additional California dates are in Lincoln (December 5) and Newark (December 8). He then has five gigs in Florida (December 12-17). Visit his website for additional details. (And do check out his recent album tribute to Guaraldi, Charles M. Schulz and Peanuts!)

Other groups also have gotten into the act: 

• Chris White's Jazz Trio performs Vince Guaraldi's Charlie Brown Thanksgiving; Wednesday, November 22, at the Winter's Jazz Club, Chicago, Illinois. Details.

• The Music of Vince Guaraldi and Peanuts, with the Donovan Johnson Band (Johnson, piano; Ed Archibald, sax and flute; George Laughery, guitar; Steve Gomez, bass; Doug Montera, drums; and Kent Barnes, percussion); Sunday, November 26, at the Joslyn Art Museum in Omaha, Nebraska. Details.

• The Jeffrey Butzer Trio (Butzer, drums; T.T. Mahoney, piano; Mike Beshera, bass) performs Charlie Brown's Christmas; Saturday, December 2, at the Revelry Room, Chattanooga, Tennessee. Details

• Chris White's Jazz Trio performs Vince Guaraldi's Charlie Brown Christmas; Tuesday, December 5, at the Winter's Jazz Club, Chicago, Illinois. Details.

• The Jeffrey Butzer Trio (Butzer, drums; T.T. Mahoney, piano; Mike Beshera, bass) performs Charlie Brown's Christmas; Wednesday, December 6, at Madlife Stage & Studios, Woodstock, Georgia. Details

• The Rick Hirsch 3 (Hirsch, sax; Kirk Reese, piano; Bob Hart, bass) performs Charlie Brown Christmas Jazz; Friday, December 8, at the State Theater, State College, Pennsylvania. Details.

• A Charlie Brown Christmas: The Music of Vince Guaraldi, with the Michelle Schumann Trio (Schumann, piano; Utah Hamrick, bass; and David Sierra, drums); Saturday, December 9, at the Stateside Theater in Austin, Texas. Details.

• A Charlie Brown Christmas, with the Jose Gonzales Trio (Gonzales, piano; Michael Marcus, bass; and Matt Jorgensen, drums); Sunday, December 10 -- both an afternoon family matinee and an evening performance -- at the Cornish Playhouse in Seattle, Washington. Details.

• The Malcolm Granger Trio (Granger, piano; Rich Hill, bass; Michael Dunford, drums) performs A Charlie Brown Christmas; Sunday, December 10, at the Cotuit Center for the Arts, Cotuit, Massachusetts. Details.

• Chris White's Jazz Trio performs Vince Guaraldi's Charlie Brown Christmas; Sunday, December 10, at the Lincoln Park Zoo's Cafe Brauer, Chicago, Illinois. Details.

• The Ed Vezinho/Jim Ward Big Band, with guest vocalist Cathy Rocco, presents A Charlie Brown Christmas; Monday, December 11, at the Gateway Playhouse, Somers Point, New Jersey. Details.

• Chris White's Jazz Trio performs Vince Guaraldi's Charlie Brown Christmas; Thursday, December 14, at the Winter's Jazz Club, Chicago, Illinois. Details.

• The Jeffrey Butzer Trio (Butzer, drums; T.T. Mahoney, piano; Mike Beshera, bass) performs Charlie Brown's Christmas; Thursday, December 14, at Saturn, Birmingham, Alabama. Details

• Pianist Adam Shulman plays Vince Guaraldi's A Charlie Brown Christmas; two shows daily Thursday through Sunday, December 14-17, at the SFJAZZ Center, San Francisco, California. Details.

• The Jeffrey Butzer Trio (Butzer, drums; T.T. Mahoney, piano; Mike Beshera, bass) performs Charlie Brown's Christmas; Friday, December 15, at The Earl, in Atlanta, Georgia. Details.

• Chris White's Jazz Trio performs A Peanuts Christmas; Friday, December 15, at the Gorton Community Center, Lake Forest, Illinois. Details.

• The Jeffrey Butzer Trio (Butzer, drums; T.T. Mahoney, piano; Mike Beshera, bass) performs Charlie Brown's Christmas; Saturday, December 16, at The Earl, in Atlanta, Georgia. Details.

• The Alex Murphy Trio — Murphy, piano; Mary Halm, bass; and Jeremy Benshish, drums and cymbals — will perform music from A Charlie Brown Christmas; Saturday, December 16, at the Vero Voce School of Music, St. Charles, Illinois. Details.

• A Charlie Brown Jazz Christmas, with the Joe Cool Trio (Chris Spies, piano; Chris Severin, bass; and John Milham, drums); Saturday, December 16, at the Mobile Saenger Theatre in Mobile, Alabama. Details.

• A Charlie Brown Christmas, with the Jose Gonzales Trio (Gonzales, piano; Michael Marcus, bass; and Matt Jorgensen, drums); Saturday, December 16 at the Tim Noah Thumbnail Theater, Snohomish, Washington. Details.

• The Ed Vezinho/Jim Ward Big Band, with guest vocalist Cathy Rocco, presents A Charlie Brown Christmas; Monday, December 18, at the Gateway Playhouse, Somers Point, New Jersey. Details.

Thursday, November 9, 2017

Once more unto the breach, dear friends...

In what has become an annual tradition, we have yet another re-release of A Charlie Brown Christmas.

Craft Recordings, the catalog division of Concord Music, has produced a high-end vinyl reissue that will hit retail outlets on November 17. The LP was pressed onto 180-gram vinyl, and housed in an old-school style, tip-on jacket, featuring the artwork from the original 1965 LP. Lacquers for the album were cut by George Horn and Anne-Marie Suenram at Fantasy Studios, while the vinyl was pressed at Quality Record Pressings.

This have given Concord a good excuse for some proud boasting, and I'll let them quote some fun statistics:

A Charlie Brown Christmas, certified 4X Platinum by the Recording Industry Association of America in 2016, is one of the best-selling jazz albums in history, second only to Miles Davis' Kind of Blue. It's no surprise: Guaraldi's engaging score to the synonymous holiday television special has introduced generations of children and their parents to the joys of jazz, with tracks such as the instantly recognizable "Linus and Lucy," and the yuletide favorite "Christmas Time Is Here." The album was inducted into the Grammy Hall of Fame in 2007, and the Library of Congress' National Recording Registry five years later, and continues to be a perennial favorite, thanks in part to annual airings of the TV special.

The price isn't too bad, either; pre-orders can be made at Amazon.

But wait; that's not all! Barnes & Noble has released a new picture-disc vinyl LP, which you can order here. (B&N did the same thing last year, albeit with a different image; that album has become quite difficult to find.)

Just in case you need another copy ... or two!

Friday, September 22, 2017

Vince Guaraldi Day (locally)

The opening line of a brief announcement published in Wednesday's Napa Valley Register couldn't help catching my eye:

Mill Valley Mayor Jessica Sloan has proclaimed Sunday, Sept. 24, as "Vince Guaraldi Day."


Indeed yes. And the official proclamation is pretty fancy:

It seems an oddly random choice of day. Guaraldi was born on July 17, and died on February 6. Near as I can determine, nothing of consequence ever happened to him on a September 24 (although Shelby Flint's vocal cover of "Cast Your Fate to the Wind" did peak at No. 11 on Billboard's Top 40 Easy Listening Chart, on September 24, 1966).

So, I had to wonder ... what will take place, on Vince Guaraldi Day?

A speech by Mayor Sloan? A parade? A screening of the recent Toby Gleason/Andy Thomas documentary, The Anatomy of Vince Guaraldi? All-day screenings of the many Peanuts TV specials he scored, including A Charlie Brown Christmas and A Boy Named Charlie Brown, for which he "may be most known"?

Apparently not.

Near as I can tell, the only event scheduled is a Guaraldi-themed concert by the Larry Vuckovich Quintet, taking place at 3 p.m. at Mill Valley's Throckmorton Theatre. (Ticket information is available here.)

Which makes it seem as though Mayor Sloan's proclamation mostly is a well-timed boost for Larry's concert. I guess it's great to have friends in high places!

And I look forward to ever-more-ambitious programs, when Mill Valley celebrates each Vince Guaraldi Day, in years to come...

Sunday, May 21, 2017

Setting the record straight ... again!

The argument was driving me into sputtering incoherence.

Many fans and I were overjoyed, back in late summer 1998, with the unexpected arrival of Fantasy’s Charlie Brown’s Holiday Hits: the first collection of (mostly) new Vince Guaraldi Peanuts themes in 30 years. And, like many of those same fans, I was puzzled by the CD’s first track: a cue titled “Joe Cool,” which most assuredly was not the iconic tune that boasted Vince’s richly expressive vocal. This new disc’s so-called “Joe Cool” wasn’t even close to the actual item: clearly, a mistake. One of two unfortunate things had happened: Either somebody had put the wrong track on the disc, intending to lead off with the actual “Joe Cool,” or the existing track had been mis-labeled. The former seemed unlikely, because the disc’s entire purpose was to present previously unreleased tracks (aside from the final three, lifted from A Charlie Brown Christmas). But the latter hypothesis also didn’t feel right, because the mysterious Track #1 didn’t sound like Guaraldi. A close approximation, perhaps, but not the real deal.

But that was 1998, years before I even considered writing Guaraldi’s biography, and therefore years before I established contacts, colleagues and friends at Fantasy/Concord. I filed the matter as a vexing conundrum, and forgot about it.

Now, however, it was early 2010; I had just been hired by Fantasy/Concord to write liner notes for the impending release of a new Guaraldi anthology, the character-themed Peanuts Portraits. A few days earlier, I had been sent the track list and corresponding music files. There were ... issues.

Three biggies, to be precise:

1) One Guaraldi track, “Jennie L,” was lifted from the 1975 prime-time special Be My Valentine, Charlie Brown. It’s a lovely little tune, but the Peanuts neighborhood never featured a character named Jennie, with or without the “L.” Guaraldi frequently gave his cues unusual, whimsical and even puzzling names, and I’ve never been able to source the reason behind this particular title.

2) Charlie Brown’s sister Sally was represented by a track titled “Sally’s Blues” ... but the corresponding music file was not the cue of that title found within the 1974 prime-time special It’s a Mystery, Charlie Brown. Frankly, the track didn’t even sound like Guaraldi.

3) To my horror, they also lifted the same bogus “Joe Cool” track from Charlie Brown’s Holiday Hits.

Additionally, I spotted some lesser issues concerning the cue titles “Charlie’s Blues” and “Blue Charlie Brown,” but Guaraldi himself bears some of the blame there, because of the numerous variant cues he delivered with different combinations of the words “Charlie” and “Blue” in the title. (For a more detailed explanation of those two tracks, see my Guaraldi discography.)

Friday, March 17, 2017

You're finally a film score, Charlie Brown!

If you’ve glanced at the album cover alongside these words, you already know the happy news.

And yes: It’s amazing.

The specialty soundtrack label Kritzerland, known for its prestige handling of expanded, long unavailable and/or previously unreleased scores, has produced a full-score album of the Academy Award-nominated music from the 1969 film A Boy Named Charlie Brown.

And it features lots of previously unavailable Guaraldi tracks, along with all the clever Rod McKuen songs, and John Scott Trotter’s supplemental orchestral cues, as heard in the film, and in gloriously clear stereo sound. But wait, there’s more: The disc also includes a bunch of nifty bonus tracks!

(It should be noted — for archivists who pay attention to such things — that this now is the third album with this title, and is distinct from Guaraldi’s 1964 Fantasy album, and Rod McKuen’s 1970 Stanyan Records album.)

Additional information about this new release can be found at Kritzerland’s web site. (No, it won’t be available via Amazon, nor will it ever pop up in a brick-and-mortar store.) Bear in mind, as well, that this is a limited-issue release of 1,000 copies. Some previous releases have sold out in a matter of weeks or even days, so don’t delay. [Update on March 24, 2017: It sold out in a week!]

Honestly, I never thought this moment would come.

In Chapter 13 of my book, I briefly discuss the Columbia soundtrack LP produced to accompany the film upon release — actually a “storybook” album that clutters all of its music with dialogue — and I conclude with this paragraph:

Unfortunately, the soundtrack album went out of print rather quickly and never was re-issued on CD. To this day, it remains one of the great Holy Grails for Guaraldi fans. In the early 21st century, an ambitious attempt was made to produce a music-only CD of the soundtrack, which would have allowed some of Guaraldi’s best work to shine, notably with extended versions of “Skating” and “Blue Charlie Brown.” But the rights issues had grown labyrinthine with the passage of so many decades. Despite a heroic four-year struggle, the project was abandoned.

That final sentence understates the agonized frustration of those who tried so hard to get that CD released. I watched from the sidelines.

Years passed. Occasional updates arrived, but the prognosis began to look grim. Cinema Center Films had ceased to exist as a production entity decades earlier, and Columbia Records had been swallowed up by Sony. Numerous other entities also were involved.

Ultimately, it appeared that everybody on our team had surrendered.

More time passed.

And then, suddenly, a flow of fresh correspondence erupted toward the end of last year. Contrary to what I had assumed, a few key people hadn’t given up (and boy, more power to them, for patience and perseverance). Messages flew back and forth during the past few months, and you can see the happy result above.

I wrote fresh liner notes for the Kritzerland release; that essay is supplemented by a track-by-track discussion that you can find here. It was a lot of writing and editing in a very short period of time, because — after so many years of inactivity — everything now happened quickly. Not that I minded, because ...

... the long wait is over!

Tuesday, February 14, 2017

The Peanuts Connection: Down to the last note!

I first "met" Rob Kirby when he was one of several hundred individuals who submitted an essay for 2009's Security Blankets: How Peanuts Touched Our Lives, the book I co-edited with Don Fraser. Rob's essay was charming, warm and droll: precisely the sort of "personal touch" that we were seeking. He easily made the cut, and his contribution — and a similarly droll photo — can be found on Page 75.

Rob's essay also acknowledged his fondness for Guaraldi, and recognition of the major impact that Vince's music had on the early Peanuts TV specials. Our shared interest kept us in touch, exchanging notes every so often, with Rob occasionally hinting at a "big project" that he kept meaning to tackle.

Typical British understatement.

Rob has completed his labor of love, and it's astonishing. Starting with the Music Use Sheets that I had posted on one of my many Guaraldi web pages, and armed with DVDs of every Guaraldi-scored Peanuts TV special — and the big-screen film A Boy Named Charlie Brown — along with all the albums of Guaraldi's music available to the mainstream public, Rob meticulously analyzed every second of music in each film, cross-checking against the titles indicated by the Music Use Sheets, and in many cases filling in additional data and correcting mistakes. (As I explain, in that page's introduction, Music Use Sheets are "dynamic" documents that undergo changes en route to a finished product, much the way scripts can change during filming. Initial intentions notwithstanding, when it came time to edit a given scene, a last-minute decision might be made to drop a planned cue, or add one where music hadn't originally been requested. The Use Sheets kindly shared by Lee Mendelson, many years ago, gave no indication of what part of production they represented. A few dovetailed very neatly to an animated special as aired; others did not.)

Rob's efforts allowed me, at long last, to amend that page so that the Music Use Sheet list for each film now accurately reflects the finished product; the results can be viewed here.

But that's only the tip of Rob's research. He also carefully analyzed every cue, from the shortest snippet to a full-length melody, to determine uniqueness. Many of Guaraldi's most popular Peanuts themes appear multiple times in a given TV special, in some cases in different arrangements or different "takes" (as is the nature of jazz). That distinction wasn't mentioned in the original Music Use Sheets; thanks to Rob, we now know — as just one example — that several different versions of the "Baseball Theme" are used in 1966's Charlie Brown's All-Stars, only one of which matches the version included on Guaraldi's album, Jazz Impressions of A Boy Named Charlie Brown.

And that's the other great feature of Rob's work: He also identified where specific cues — which is to say, a precise arrangement — can be found, among Guaraldi's various albums.

Along the way, he uncovered a few surprises, and made some savvy observations.

He realized, for example, that the delightfully upbeat version of "Peppermint Patty," heard midway through 1967's You're in Love Charlie Brown, is a bonus track on the CD re-release of Vince Guaraldi with the San Francisco Boys Chorus. Along a similar line, the terrific, brass-heavy arrangement of "Linus and Lucy," heard midway through 1973's A Charlie Brown Thanksgiving, can be found on the CD The Charlie Brown Suite and Other Favorites, where it's titled "Linus and Lucy with the Band."

Rob also has a keen ear, having recognized something that I'm ashamed to admit I've missed, all these years: The cue "Bon Voyage," heard early in 1968's He's Your Dog, Charlie Brown, clearly is adapted from the song "Monterey," one of the other tracks on Vince Guaraldi with the San Francisco Boys Chorus.

On a more sobering note — literally — Rob noticed that most of the cues written for 1976's It's Arbor Day, Charlie Brown sound suspiciously similar to earlier tunes such as "Christmas Time Is Here," "Joe Cool" and the aforementioned "Baseball Theme." An overly hasty assumption might suggest that Guaraldi was running out of creative juice, but I strongly doubt that; it seems much more likely that Guaraldi's very poor health affected his work on this special. Remember, he died right after finishing the studio recordings for this show.

My Music Use web page doesn't begin to cover all of Rob's thorough research, which must be appreciated in its entirety, at his blog. (You'll also want to read his detailed account of what prompted this project, and how he approached it.) As he explains, in his key, bold entries refer to specific arrangements of cues that can be found on various Guaraldi albums. Green entries address disputed existing information, and blue entries refer to cues that were rearranged and re-recorded on albums by Guaraldi or George Winston.

Granted, Rob's efforts represent a degree of "geeking out" that'll likely be appreciated — to the proper degree — by only a small handful of people. But as somebody who shares Rob's obsessive research tendencies, I regard his work as an invaluable document, and a resource of historic proportion.

On top of which, it's a lot of fun to read!

Sunday, December 18, 2016

Tidbits from the newspaper archive

Of late my good buddy (and fellow Guaraldi fan) Doug has been researching Dave Brubeck's early work, in the course of which pursuit he has spent considerable time with the archives. I buried myself in the same site while gathering information for my Guaraldi biography, but that was seven years ago; it's clear, based on Doug's explorations, that the site has added considerable regional content since then.

Not one to waste a subscription fee, Doug also utilized the same access to investigate Guaraldi on my behalf. The results came to me on a thumb drive that contained roughly 140 full-page scans from various newspapers. I'd already seen many of them (mostly from the Oakland Tribune and San Mateo Times), but the San Rafael Daily Independent Journal hadn't been among the holdings, back when I did my research. Some of the relevant articles, photos and ads duplicated items and events I'd already seen in other papers, but an impressive amount proved new ... and, in some cases, quite enlightening. I've already updated and amended entries in my Guaraldi timeline, and added a few entirely new ones, but some of the more engaging discoveries definitely deserve additional exposure here. I'll present them in chronological order; unless otherwise specified, everything comes from the Daily Independent Journal.

By far the best ad is the one at left, which ran October 1, 1964. I'd already known that Guaraldi had been booked to perform at this particular event, but hadn't seen an ad for same. It's definitely a blast from the past; can you imagine a similar ad running today, in a newspaper, for similar candidates? For that matter, can you imagine a jazz performer being the featured entertainer, at such a function?

The Santa Cruz Sentinel's early March TV listings show that Guaraldi was a guest on Lloyd Thaxton's afternoon chat/variety show, at 5 p.m. March 3, 1965. Similar TV listings two months later cite one of the fabled 5-minute "bumpers" that Guaraldi and his trio recorded, to fill 30- and 60-minute time slots on National Educational Television (NET) channels which — as the precursor to the nationwide PBS network — ran without commercials. I've included the listing here; you can see that Guaraldi and his combo performed a tune titled "Twilight of Youth" ... which (more's the pity) he never recorded on an album. It's one of a dozen or so compositions that he registered with the U.S. Copyright Office, and no doubt performed live on numerous occasions, but never found the time to include on an LP.

Wednesday, December 14, 2016

Quadruple platinum!

Big news today, folks.

The milestone cited here actually has been public since August, but Concord/Fantasy waited for the official ceremony on Friday, December 9, before issuing the following press release:


From left, Jeannie Schulz, David and Dia Guaraldi, and Lee Mendelson
LOS ANGELES, CA -- Concord Bicycle Music and Fantasy Records announced the Quadruple Platinum certification of A Charlie Brown Christmas at a presentation today, with Vince Guaraldi's children David and Dia, Peanuts creator Charles Schulz's widow Jeannie Schulz, and the animated television special's producer, Lee Mendelson. The certification, awarded by the Recording Industry Association of America (RIAA), marks four million units in album sales of the 1965 soundtrack by the Vince Guaraldi Trio. That makes it the second-highest certification of a jazz album, behind only Miles Davis' Kind of Blue.

Guaraldi's engaging score to the synonymous holiday television special --̶ which celebrated its 50th anniversary last year -- has introduced generations of children to the joys of jazz, with tracks such as the instantly recognizable "Linus and Lucy," and the yuletide favorite, "Christmas Time is Here." The album was inducted into the Grammy Hall of Fame in 2007, and the Library of Congress' National Recording Registry five years later, and it continues to be a perennial favorite, thanks in part to annual airings of the Christmas special. 

Guaraldi, a native of San Francisco, became one of America's best-selling jazz artists during the course of his life. Though his legacy is most famously tied to his association with Peanuts, he already was an established, Grammy Award-winning artist by the time that producer Lee Mendelson tapped him to score the first of many animated specials based on the Charles Schulz-penned newspaper strip. In a 2003 interview, excerpted from Vince Guaraldi At The Piano (Derrick Bang; McFarland Books), Mendelson declared, "There was no doubt in my mind that if we hadn't had that Guaraldi score, we wouldn't have had the franchise we later enjoyed."

Jeannie Schulz was equally taken with the musician. "Vince Guaraldi was already a legend when I first met him in the mid-'70s," she said. "What amazed me, and touched me, was his humility about his celebrity, and his complete joy in playing the piano for a group at a gathering. Music was like breathing to Vince."

"The combination of Vince Guaraldi's music and Peanuts continues to prove a magical marriage, which has helped push this iconic recording to being one of the best-selling jazz albums of all time," remarked Concord Bicycle Music's Chief Catalog Officer, Sig Sigwort.

"Celebrating this wonderful achievement with the families and principles involved is a great honor."


In point of fact, this sales figure is low, being based mostly on electronically recorded sales made subsequent to 1991, when Neilsen SoundScan began tracking data. Clearly, Guaraldi's album sold many, many copies during the previous quarter-century ... but because Fantasy's record-keeping was so sloppy during the early years, a precise figure has been impossible to determine.

Meaning, it's entirely possible that Guaraldi's score album already has surpassed Kind of Blue ... but we can only speculate. Meanwhile, the RIAA certification is indisputable.

(And yes: It was a nice surprise to see that the official press release cited a Mendelson quote from my Guaraldi biography.)

Congrats all around ... and onward to quintuple platinum!


In a droll bit of related news...

Back on November 21, USA Today interviewed Billy Bob Thornton prior to the release of his newest film, Bad Santa 2. When asked when folks should start celebrating the Christmas season, Thornton responded with the following:

"My 12-year-old daughter Bella is vehemently opposed to starting the holidays too soon, and I support that. She thinks it's unfair to whichever holiday comes before. She can't stand it when people put Christmas decorations on our street before Thanksgiving. It's, like, give Thanksgiving its due. If you want to start the day after, I'm cool with it.

"But I listen to Christmas music all year round. I always have a CD in a little boom box in my trailer on every movie. All I listen to is A Charlie Brown Christmas, by Vince Guaraldi. Doesn't matter what season. Every waking moment, I have that record on. It's my obsessive/compulsive nature."

I appreciate the sentiment, Billy Bob. It's nice to know I'm not the only one!

Wednesday, November 23, 2016

A Jolly Guaraldi Holiday 2016

The schedule gets busier every year ... and isn't that marvelous?

The holiday season returns anew, and it's once again time to investigate the many Guaraldi-themed concerts taking place, most of which (of course!) are tied in to his music from A Charlie Brown Christmas.

I traced the history and growth of this delightful tradition back in 2012, with a modest schedule that now seems quaint. This new post will serve as a clearinghouse for any and all late 2016 concerts that come to my attention. As always, I'll add to this schedule as new information becomes available, so do check back on occasion.

As has been the case for several years now, the most ambitious tour news comes from Concord recording artist David Benoit, who once again is taking his Christmas Tribute to Charlie Brown on the road. He's touring this time with special guest Sara Gazarek. Their schedule kicks off November 26 in Brea, California, and concludes December 19 in Livermore, California, with stops along the way in Washington, Alaska, North Carolina and Arizona. We caught Benoit's  performance in 2011 and 2015, and I can report that it's a great show. It's also tremendously sweet, since Benoit and his team work with a children's choir that is local to each stop. Check his website for details.

Benoit may be grabbing the lion's share of headlines in the States, but our Canadian neighbors will enjoy the return of the season's most historic booking. Drummer Jerry Granelli, who worked as a member of Guaraldi's trio in the 1960s, will headline Tales from A Charlie Brown Christmas with his own trio. The tour kicks off November 26 in Calgary, and concludes December 10 in Victoria. Alas, they're still all Canadian venues; he has yet to bring this show to the States. Granelli began this annual celebration with a few shows in 2013, and the results were quite popular (no surprise there). He'll again be joined by Simon Fisk (bass) and Chris Gestrin (piano). Check his website for details.

Saturday, November 19, 2016

A little of this, a little of that: The fall 2016 edition

Dr. Funk’s fans have long awaited the wide release of The Anatomy of Vince Guaraldi, ever since its debut as a work-in-progress at the 2009 Monterey Jazz Festival. The completed Andrew Thomas/Toby Gleason documentary subsequently screened at more than two dozen film and music festivals during 2010 and ’11, garnering several awards along the way, while seeking a mainstream distributor: a necessary next step which — sadly — never materialized.

Years passed, as Andy and Toby continued to pursue every possible lead; Guaraldi’s fans began to despair. Many of them wrote me impassioned notes, hoping I’d have an inside scoop on the situation. Alas, my response always was the same: Nothing had changed.

Until now.

The final barrier was the need to expand performance permissions — for the music used within the film — beyond the “festival license” level, in order to obtain the legal right to distribute The Anatomy of Vince Guaraldi via home video and streaming platforms. That isn’t cheap, and Andy and Toby had exhausted their own financial resources (hence the lengthy search for a distribution company, which would have handled such requirements).

But there is another option these days, at a time when crowd-funding has resulted in happy successes such as the creation and release of a big-screen sequel to the cult TV hit, Veronica Mars. Andy and Toby have set up a Kickstarter campaign, which went live on November 17. They have 31 days to reach a pledge goal of $61,000, and they’re hoping that fan interest will push them over that hurdle.

You can read an official press release here, and check out a 2-minute trailer here.

As with all Kickstarter campaigns, the various levels of financial support are accompanied by inducements: from a 16-page preview booklet, at the modest Jazz Cat level; to a producer credit that will appear at the beginning of the film — along with all the goodies promised at the levels in between — for those willing to become an Angel-Headed Hipster. Details are available here, and several of the promotional items will be available for shipment in time for the holidays.

Check it out, and you’ll surely agree: A wide release of The Anatomy of Vince Guaraldi would make a great Christmas/Hanukkah/Kwanzaa/Holiday-of-Choice gift ... not only for yourself, but for the entire jazz community. So pledge early, and pledge often ... and spread the word!


Jazz drummer Jerry Granelli, beloved in this blog as one of Guaraldi’s former sidemen, just received a tremendous honor at the annual Creative Nova Scotia Arts Awards gala, held November 5 at the Halifax Central Library. He was presented with the Portia White Prize, which recognizes cultural and artistic excellence in Nova Scotia — where Granelli has lived since 1988 — and those who have attained professional status and mastery in their discipline.

Among other things, Granelli was a prime mover in the establishment of the Halifax Jazz Festival, more than 30 years ago.

“When I recall ... how over the years you have trusted me with teaching your children, and supported the Creative Music Workshop as well as my performances, I feel such enormous gratitude,” Granelli said, during his acceptance speech. “And now to be honored with [this] award ... all I can really say is thank you. I will not stop.”

Additional coverage of this event can be found in the Halifax Chronicle Herald and the Nova Scotia Local Express ... although both articles repeat a grotesque error that has long circulated in Canadian newspapers, when discussing Granelli. Contrary to oft-published report, he is neither an “original” member of the Vince Guaraldi Trio, nor the “only surviving member” of the said trio: a claim that would be met with annoyance by Eddie Duran, Dean Reilly and Colin Bailey, all of whom preceded Granelli at Guaraldi’s side, and all of whom are still with us ... and, like Jerry, “not stopping.” (Talk about sloppy fact-checking. Sheesh!)

None of which is Granelli’s fault, of course, nor does it detract from the magnitude of his honor. Congrats and high-fives, Jerry!


Finally, a small surprise: Basement Blues, the new album from the John Stowell/Michael Zilber Quartet — Stowell (guitars), Zilber (sax and piano), John Shifflett (bass) and Jason Lewis (drums) — includes a Zilber original called “Have Yourself a Vince Guaraldi Xmas.” I’m hard-pressed to detect any obvious nods to Vince’s classic score for A Charlie Brown Christmas — although faint suggestions of “Christmas Time Is Here” hover throughout — but the tribute itself is quite nice to see.