The campaign heats up!

 Back in the spring and summer of 1972, as presidential contenders Richard Nixon and George McGovern jockeyed for advantage, an increasingly popular underdog candidate entered the fray. Hallmark kicked off that campaign with the lenticular button shown above.

Alas, Snoopy was defeated at the polls. We can only speculate how much better our country would be today, had he become The World-Famous President.

 

Another equally important election took place on October 29 that year, just nine days before Nixon galloped home with 60.7 percent of the popular vote. Linus Van Pelt and Russell Anderson faced off in You’re Not Elected, Charlie Brown, the eighth prime-time Peanuts special from the artistic dream team of Charles Schulz, Lee Mendelson, Bill Melendez and Vince Guaraldi.

As previously mentioned in my July 10 post, Guaraldi’s soundtrack for this special debuts this Friday, September 6. Three physical releases will be available: a CD; a regular black vinyl LP, available at all retailers; and a “Woodstock Yellow” vinyl LP, excusive to independent record stores. The album also will be available via all streaming services, and as a digital download. Click here for purchase and streaming links to select stores and services (although the album also will be available from many other retailers and digital services).

 

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Looking ahead, fans of colored vinyl variants will be pleased to learn that last year’s soundtrack album for A Charlie Brown Thanksgiving will be re-released in three new exclusive versions on October 18:

 

• A picture disc from Barnes & Noble, featuring two scenes from the special

• A “turkey tan” vinyl from Target, and

• A “purple jelly bean” vinyl available only from independent record stores.

Note: The musical content is exactly the same as last year’s LP release. And, of course, the regular CD, black vinyl and digital releases also remain available. Purchase links for all options can be found here.

Summer comes early this year!

Big news, gang.

Lee Mendelson Film Productions has made good on its promise to deliver another of Vince Guaraldi's iconic Peanuts soundtracks.

Their announcement went live earlier today:

Available for the first time ever!

Vince Guaraldi’s complete soundtrack for 1969's It Was a Short Summer, Charlie Brown

Limited release in celebration of the special's 55th anniversary

Available exclusively on "Camp Green" Vinyl (12-inch, 45 RPM) 

for Record Store Day, April 20th

    “This entire score is can’t-be-played-often-enough ear candy. It’s as fresh and vibrant today — and as swinging — as when it was laid down 55 years ago: yet another captivating display of Guaraldi’s compositional genius and keyboard wizardry.

    Summer never sounded so sweet.”

— From the liner notes by Derrick Bang, Author, Vince Guaraldi at the Piano

Lee Mendelson Film Productions (LMFP) is thrilled to announce the release of Vince Guaraldi's soundtrack to It Was a Short Summer, Charlie Brown, the sixth animated Peanuts special, from writer/creator Charles Schulz, director Bill Melendez and producers Melendez and Lee Mendelson. The special originally aired on CBS-TV on September 27, 1969, and currently can be streamed on Apple TV+.

 

The album includes the original recordings that comprise the special's song cues, plus six bonus and alternative tracks that never have been released or heard before.

Track list:

A1. CHARLIE BROWN THEME

A2. LINUS AND LUCY

A3. IT WAS A SHORT SUMMER, CHARLIE BROWN

A4. OH, GOOD GRIEF!

A5. YOU’RE IN LOVE, CHARLIE BROWN

A6. SCHROEDER

A7. BUS BLUES / BUS BLUES (REPRISE)

A8. IT WAS A SHORT SUMMER, CHARLIE BROWN (REPRISE)

A9. FRIEDA (WITH THE NATURALLY CURLY HAIR)

A10. OH, GOOD GRIEF! (REPRISE)

A11. COME AND GET IT / HASH / HASH WITH HORN / AM BREAK / TAH DAH 

A12. BON VOYAGE

A13. PEPPERMINT PATTY

A14. LOVE WILL COME (NOVA BOSSA)

A15. HE’S YOUR DOG, CHARLIE BROWN

B1. PEBBLE BEACH

B2. YOU’RE IN LOVE, CHARLIE BROWN (REPRISE)

B3. HE’S YOUR DOG, CHARLIE BROWN (REPRISE)

B4. MASKED MARVEL

B5. AIR MUSIC

B6. MASKED MARVEL (REPRISE) / MASKED MARVEL (2ND REPRISE) 

B7. YOU’RE IN LOVE, CHARLIE BROWN (2ND REPRISE)

B8. LINUS AND LUCY (REPRISE)

B9. OH, GOOD GRIEF! (2ND REPRISE)

B10. CHARLIE BROWN THEME (REPRISE)

B11. IT WAS A SHORT SUMMER, CHARLIE BROWN (2ND REPRISE) 

Bonus content:

B12. LINUS AND LUCY (ALTERNATE)

B13. WORKING ON “IT WAS A SHORT SUMMER, CHARLIE BROWN” 

B14. BUS BLUES (ALTERNATE)

B15. PEBBLE BEACH (ALTERNATE)

B16. MASKED MARVEL (ALTERNATE)

B17. LINUS AND LUCY (REPRISE ALTERNATE)

(Three sample tracks can be heard here.)

 

Guaraldi lovingly created the soundtrack for the summer camp adventure that finds Charlie Brown and his gang facing off against the girls’ camp members, led by Peppermint Patty. The album's large jazz combo also delivers the best rendition of Guaraldi's classic tune, “Love Will Come (Nova Bossa),” and features his first use of additional percussion supplied by Victor Feldman.

 

The recording features Guaraldi (piano), Monty Budwig (double bass), Jack Sperling (drums), Conti and Pete Candoli (trumpet), Frank Rosolino (trombone), Feldman (percussion), Herb Ellis (guitar), William Hood and Peter Christlieb (woodwinds), with John Scott Trotter as orchestra leader. The album was produced by Sean and Jason Mendelson, sons of Peanuts producer Lee Mendelson, and restored and re-mastered by Vinson Hudson.

 

The album will be available exclusively at participating retail outlets starting April 20, 2024, as part of Record Store Day. Store locations and additional information is available at recordstoreday.com.

The album's Record Store Day page is here.

 

The album includes liner notes and a track-by-track analysis by Derrick Bang and Sean Mendelson. The package also boasts images from the special, and of the recently re-discovered original tape boxes (which led to this release).  

 

For an extended version of the press release and more information, click here. 

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Pretty cool, eh?

To anticipate the obvious question, CD and digital releases will follow later this year, and will be announced at a future date. (Stay tuned!)

Some of the adjectives in the press release above are a bit breathless, but the enthusiasm is warranted. I thoroughly enjoyed working on this project, because it's absolutely Guaraldi's jazziest and sassiest Peanuts soundtrack, thanks to the larger-than-usual combo involved (because he was simultaneously working with some of these cats on the score for the Peanuts gang's big-screen debut, in A Boy Named Charlie Brown).

This new release was made possible, in part, by the enthusiastic response — and better-than-anticipated sales figures — of last year's soundtrack debut of A Charlie Brown Thanksgiving. And you know how this works: If Short Summer proves similarly successful, that'll increase the chances of additional Guaraldi treats, moving forward.

Record Store Day lines form well before opening time ... so don't oversleep on April 20th!

Thanksgiving comes early this year!

Big news, gang.

 

We’ve all held our breath since late last year, hoping that the reception for the Definitive, Super Deluxe Charlie Brown Christmas — and the recently discovered, isn’t-it-fabulous original session recordings that produced a superior soundtrack for Great Pumpkin -- would translate, moving forward, into additional releases from Guaraldi’s Peanuts canon.

 

It has come to pass.

 

October 20 will see the debut of the full soundtrack from A Charlie Brown Thanksgiving, just in time for the 1973 special’s 50th anniversary: 13 themes and cues used in the show, along with nine never-before-heard bonus and alternative tracks. The album will be available in three states: CD, vinyl and digital download.

 

Check out the official press release here.

 

Pre-order the CD from MVD here.

 

Pre-order the standard (black vinyl) LP from MVD here.

Pre-order the above CD or LP from Amazon here and here.

Pre-order the special Record Store Day jelly bean green vinyl LP here.

Pre-order the Target exclusive cranberry vinyl LP here.

The track list:

 

Show score:

    1. Charlie Brown Blues

    2. Thanksgiving Theme

    3. Thanksgiving Theme (Reprise)

    4. Peppermint Patty

    5. Little Birdie

    6. Thanksgiving Interlude

    7. Is It James or Charlie?

    8. Linus and Lucy

    9. Fife & Drums Theme

    10. Charlie Brown Blues (Reprise)

    11. Thanksgiving Interlude (Reprise)

    12. Thanksgiving Theme (2nd Reprise)

    13. Thanksgiving Theme (3rd  Reprise)

 

Bonus/Alternate tracks:

    14. Thanksgiving Theme (Alternate)

    15. Peppermint Patty (Bonus Mix)

    16. Linus and Lucy (Bonus Mix)

    17. Thanksgiving Interlude (Alternate take 2, 4, and 6)

    18. Thanksgiving Interlude (Alternate take 10)

    19. Thanksgiving Interlude (Alternate take 14)

    20. Is It James or Charlie? (Bonus mix with Whistling)

    21. Clark and Guaraldi

Preview Track 16 here.

Preview Track 20 here.

 

The recording features Vince Guaraldi, piano, keyboards and vocals; Tom Harrell, trumpet and brass arrangements; Chuck Bennett, trombone; Seward McCain, electric bass; and Mike Clark, drums. The album is produced by Sean and Jason Mendelson, re-mixed by Terry Carleton at Bones and Knives, and restored and mastered/re-mastered by Vinson Hudson.

 

Avid Guaraldi fans have long regarded this Emmy Award-winning TV special as a favorite, which is no surprise; the show is wall-to-wall music, bouncing between acoustic and electric keyboards, going silent only during Linus’ gentle sermon about the first Thanksgiving (a speech almost as eloquent as the one he delivers in Charlie Brown Christmas).

 

That sequence aside, Guaraldi was allowed to stretch and supply longer cues, each one beginning as the previous one fades. The show boasts three new tunes, starting with a lyrical title theme constructed from acoustic piano filigrees that evoke the keyboard cascades in “Skating.” An impudent cue titled “Is It James or Charlie?” adds a bit of James Brown sass to the mix; and the stand-out newcomer is Guaraldi’s vocal on “Little Birdie,” played at length when Snoopy — tasked with setting up the outdoor dining arrangements — wrestles with a basketball net, a garage door, a ping-pong table and an impressively sentient folding chair. 

 

Returning cues include one of Guaraldi’s best arrangements of “Linus and Lucy,” with brass adding a spirited counterpoint to the primary theme, and also shading a new four-chord climb at the end of each verse’s fourth measure: heard while Snoopy orchestrates the Thanksgiving “dinner” of buttered toast, popcorn, pretzels, jelly beans and ice cream parfaits. “Peppermint Patty” gets a quiet, leisurely arrangement on electric keyboard: perfectly echoing the girl’s coquettish side, notably when she flirts with Charlie Brown over the phone, while inviting herself — and Marcie and Franklin — to a party that doesn’t yet exist. 

 

The show’s final reprise of the title theme introduces a sparkling brass counterpoint: a terrific conclusion to a half-hour of solid combo jazz.

What’s not to love?

The ghost of Christmas past

Sit back, folks. This post has been a long time coming, and what follows is detailed. 

It's also huge.

I was prompted to finally finish this research after noting — with pleasure — the enthusiastic and rapidly expanding chatter in several audio forums, regarding the just-announced release of the 5-disc mega-set of music from A Charlie Brown Christmas. I've also seen a few probing questions, and received a few e-mails on the same subject, regarding what is and isn't included in the set, and (in a few cases) lamenting the apparent absence of tracks such as "Air Music" (aka "Surfin' Snoopy"), "Charlie Brown Theme" and a few others.

Allow me to clarify such issues, while (hopefully) finally putting some theories and speculations to bed.

To repeat the essential details of Craft Recordings' press release, and my previous post, the prize items within this mega-set are five complete studio recording sessions — full alternate song versions, blown takes, false starts and occasional chatter between the musicians — taking place between September 17 and October 28, 1965, which produced the bulk of the Fantasy soundtrack album. This music must be distinguished, in at least some cases, from the music that was used in the TV special itself, which almost certainly involved cherry-picking cues from other (different) recording sessions, very likely involving different sidemen. (Remember, four sets of sidemen have claimed to be involved with this TV score and/or album, and — because Fantasy kept such poor records — it's impossible to positively state who laid down what, and when, and whether it was used, and where. So let's not go there.)

Let's instead start with the bombshell, a detail already known to some of you, but not all:

The version of A Charlie Brown Christmas that we've all been watching for decades, whether via TV reruns, VHS tapes, DVDs, Blu-rays or streaming options, is not what viewers saw on December 9, 1965.

At some point — likely in the spring or summer of 1966, prior to the special's repeat that December — Lee Mendelson and Bill Melendez went back and "spiffed up" the show.

Credits where due

By now, most avid fans know that all existing copies of A Charlie Brown Christmas, going back half a century — whether broadcast on television; or purchased on VHS, DVD or Blu-ray, or from iTunes and other such sources; or streamed — are absent the title credits acknowledgment of Coca-Cola's sponsorship. The credits now conclude after Snoopy blanket-whips Charlie Brown into a tree, with a vocal chorus of "Christmas Time Is Here" fading into silence rather abruptly.

But television viewers back in 1965 — and during the 1966 re-broadcast — got a bit more; Snoopy then blanket-whips Linus into a sign that reads, "Brought to you by the people in your town who bottle Coca-Cola." We also get a more reasonable fade of the song.

Perhaps a bit less well known is the fact that the same thing happens during the end credits, which — in all existing prints — conclude after acknowledging director/producer Lee Mendelson, animator Bill Melendez, and United Feature Syndicate; the gang's cheerful delivery of "Hark, the Herald Angels Sing" similarly fades rather abruptly. We no longer see the final title card, which reads "Merry Christmas, from the people who bottle Coca-Cola." And, needless to say, the song concludes properly.

Happily, these artifacts have been resurrected by intrepid Internet elves; they can be seen here and here.

Ah, but how many of you know that such shenanigans also compromised the next two Peanuts specials?

After Charlie Brown drops the high fly ball during the opening sequence of Charlie Brown's All-Stars, he dejectedly walks along a fence that credits Charles M. Schulz; he pushes a board up, to walk through the fence ... and that's all we see these days, as the music fades. But the sequence continues for another 10 seconds, as — now on the other side of the fence — poor Chuck trudges past signs that credit Coca-Cola and co-sponsor Dolly Madison Cakes. Check it out here.

(One suspects similar co-sponsor acknowledgments in the end credits, but — if true — they've yet to surface.)

The long-absent bits from It's the Great Pumpkin, Charlie Brown are even more fun. In all existings versions of this special, the title credits and music fade out after acknowledging Schulz, as an owl flies directly toward the screen. Ah, but the original sequence continues for an additional 17 delightful seconds: first crediting Coca-Cola via a scarecrow, as the panicked gang flees behind it; and then Dolly Madison Cakes, as Snoopy dances atop a pumpkin. Again, the conclusion of Guaraldi's title theme is much more satisfying, as can be seen (and heard) here.

Existing end credits conclude after acknowledging Mendelson, Melendez and United Feature Syndicate; the musical fade is quite abrupt and clumsy. But the infuriated Linus continues to berates Charlie Brown for another 10 seconds, during which Dolly Madison and Coca-Cola are acknowledged ... and, more crucially for us Guaraldi fans, his perky arrangement of "Charlie Brown Theme" comes to a proper conclusion. Check it out here.

I believe this practice ceased when the next special, You're in Love, Charlie Brown, came along in June 1967; by this point, fewer shows and specials were being sponsored by just one or two entities. But I won't be certain until somebody verifies having seen an archival copy of that original broadcast.

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Speaking of A Charlie Brown Christmas, did sharp-eared viewers of the recent Marvel Universe series Hawkeye catch the use of the Guaraldi Trio's "Christmas Time Is Here"? The holiday-themed storyline included quite a few Christmas songs in each episode; Guaraldi's tune — the vocal version, sung by Charlie Brown and his friends — is the first heard in the fifth episode, "Ronin." it begins at 13:40, as Clint walks New York City's late-night streets to Grills' apartment, and continues for about 30 seconds while Grills welcomes him inside.

Needless to say, those showrunners have superb taste in music!

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Shortly after this blog's previous post, the folks at Lee Mendelson Film Productions added seven more online folios of Vince Guaraldi's Peanuts themes. I supplemented the original list, but of course that post wasn't sent a second time via email, so you wouldn't necessarily know about the additions. Ergo, this is fresh notification that these titles have been added:

• "Bon Voyage"

• "It's a Mystery, Charlie Brown"

• "Charlie Brown's Wake-Up"

• "Charlie Brown's All-Stars"

• "Sassy Sally"

• "Schroeder's Wolfgang"

• "Woodstock's Dream"

You'll find links within the previous post. 

A little of this, a little of that: Summer 2019

Guaraldi's pop-culture relevance continues to shine...

The Marvel TV series Legion featured two of his Peanuts tracks on the current third (and final) season's second episode, simply titled "Chapter 21." (Mind you, given the show's deliberately outré weirdness, it's impossible to know why the tunes were used.)

Toward the beginning, the soundtrack featured the seldom-heard vocal version of "Oh, Good Grief." Later into the episode, the Shadow King is shown at the piano, playing "Christmas Time Is Here" ... although the backing combo was nowhere to be seen. (As Guaraldi fan Rob pointed out, the lighting was quite moody, so maybe they were hidden behind a pillar somewhere.)

Given this show's target audience, I can't help wondering if most viewers even recognized one or both tunes...

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Following last autumn's CD debut of Guaraldi's score for It's the Great Pumpkin, Charlie Brown -- details available in this earlier post -- Concord's Craft Recordings division has announced the upcoming release of vinyl versions. Note that -- as has become custom these days -- various retailers will have uniquely different versions.

According to Concord's press release...

On the eve of Vince Guaraldi being honored with the National Music Council's American Eagle Award -- details here -- Craft Recordings celebrates his 91st birthday by announcing the vinyl edition of his music for It’s The Great Pumpkin, Charlie Brown, scheduled for release on August 30. The disc will include the iconic pumpkin as an etching on side B. The package also includes an introduction from the TV special’s executive producer, Lee Mendelson, and insightful liner notes by Derrick Bang, Peanuts historian and author of Vince Guaraldi at the Piano.

A special limited edition (500 copies only) -- pressed on a glow-in-the-dark vinyl -- will be available exclusively at the Craft Recordings Store.

It’s The Great Pumpkin, Charlie Brown: Music from the Soundtrack features some of the most iconic tracks in pop culture, including the instantly recognizable “Linus and Lucy,” as well as the languid, lyrical “Great Pumpkin Waltz.” The music was recorded on October 4, 1966, at Desilu’s Gower Street Studio in Hollywood, California, by Guaraldi (piano) and his longtime friends and trio sidemen -- bassist Monty Budwig and drummer Colin Bailey -- joined by Emanuel Klein (trumpet), John Gray (guitar) and Ronald Lang (woodwinds). 

“This is the quintessential Vince Guaraldi for our Peanuts specials ... some of his best atmospheric jazz,” Mendelson notes. “Vince’s score carries the gang with the autumn leaves, through the scary and cold Halloween night. This music comforts the indomitable faith of Linus, still waiting for his hero since 1966: forever in our ears, hearts and memories.”

“Guaraldi had a strong sense of how music could -- and should -- be employed to maximize the viewing audience’s emotional response,” writes Bang. “[He] emphatically established the Peanuts ‘musical personality’ with this third outing, and all subsequent prime-time specials owed much to the groovin’ atmosphere that is so prevalent in Great Pumpkin. Guaraldi had a gig for life ... and his legacy lives on, expand[ing] by the year, thanks in great part to the jazz swagger given to an insecure blockhead and his lovably crazy beagle.”

This announcement comes on the anniversary of Guaraldi’s birthday (born July 17, 1928). We honor a real-life Schroeder, who through his music introduced generation after generation to the beauty of the distinctly American artform of jazz.

Lee Mendelson, lyricist

Director/producer Lee Mendelson deserves oodles of credit for creating what became the Peanuts television empire; he also had the genius to gather a four-man team that included Charles M. Schulz, Bill Melendez and Vince Guaraldi. Everything started with Schulz, of course, who scripted the early 30-minute specials that featured his characters. Melendez and his crew animated Charlie Brown and the gang; Guaraldi and his fellow musicians supplied the swing in everybody's step. Mendelson officially served as director and producer.

And, on a few occasions, he turned into a songwriter.

The most famous example, and the tale oft-told by Mendelson himself, refers to A Charlie Brown Christmas and the song it made famous: "Christmas Time Is Here."

To quote a brief passage from my book:

As late summer [1965] segued to early autumn, the Peanuts Christmas special was coming together; a rough cut, set to Guaraldi's music, opened on Charlie Brown and his friends skating on a frozen pond, as snowflakes gently flurried about them. But although Mendelson liked the music employed behind the action — Guaraldi's "Christmas Time Is Here" — he felt the scene lacked something.

"The opening song was an instrumental," Mendelson recalled. "I felt we should get some lyrics, and some voices. We couldn't find anybody to write the lyrics, and I called all my Hollywood friends who were songwriters. But nobody took the assignment, so I sat down, and in about 10 minutes wrote the words to 'Christmas Time Is Here' on an envelope.

"I sure wish I still had that envelope!"

Ask folks to cite Peanuts songs that include lyrics, and you'll get a very short list: "Christmas Time Is Here," "Joe Cool" and "Little Birdie." Guaraldi himself wrote the words for the latter two. But Peanuts fans with very good memories can add another song: the title theme to You're in Love Charlie Brown, the fourth Peanuts special, which debuted June 12, 1967. The show's title theme, a lyrical, slightly woeful waltz, reflects Charlie Brown's hopeless yearning for the never-seen Little Red-Haired Girl.

Mendelson, no doubt encouraged by the success he'd had with "Christmas Time Is Here," penned some brief lyrics for this title theme, which are heard as the show's credits appear:

Poor little Charlie Brown,
Don't let love bring you down.
You'll have your day,
She'll come your way;
She'll take away your frown.
Poor little Charlie Brown.

At least ... I thought they were brief.

Well, in fairness, that's all we ever heard. That's all anybody ever knew about.

But that's not all Mendelson wrote.

Guaraldi's tune continues far longer than those six lines; it therefore stands to reason that Mendelson might have written lyrics for the entire composition, although I doubt anybody ever made that assumption. Thanks to some digging at the U.S. Library of Congress, and a related search of the U.S. Copyright Office, the full story — or, rather, the full song — has come to light.

(Truly, I love this sort of discovery!)

Herewith, then, Lee Mendelson's full lyrics to "You're in Love, Charlie Brown," accompanied by one of the actual manuscript pages that was filed with the Copyright Office. Note the twin bylines: "V. Guaraldi + L. Mendelson." Note also the hilarious doodle of — I'm guessing — Charlie Brown's head!

Poor little Charlie Brown,

Don't let love bring you down.

You'll have your day,

She'll come your way;

She'll take away your frown.

Poor little Charlie Brown,

Don't let your hopes all drown.

You'll have your day,

She'll come your way;

You're in love, Charlie Brown.

She's a sweet Little Red-Haired Girl,

Who's nice as she can be.

All she needs is a little boy

Who's just as perfect as she.

Poor little Charlie Brown,

Always ends up a clown.

Who would love you?

No one! That's who!

Why don't you just leave town.

Poor little Charlie Brown,

No one could love that frown.

Who would love you?

No one! That's who!

Your face is too darned round.

Ouch! Those two final choruses are killers, aren't they? 

Perhaps that's why we never got to hear them in the show...

One last little oddity: Various DVDs of this Peanuts special include the six brief lines as indicated above. The English audio soundtrack included with the Warners 1960s collection DVD, however (and rather strangely!), features a different sixth line: You're in love, Charlie Brown ... which you'll note is the final line of the second stanza. It's therefore possible that at least the entire second stanza was recorded during production, but then left unused.

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Catholic San Francisco runs an occasional feature titled "Cemetery Corner," which marks the 125th anniversary of Holy Cross Catholic Cemetery in Colma, California. The entry in a recent issue (October 19, 2012) is a nice little tribute to Guaraldi, and includes an excellent photo of his grave marker (sharpest photo I've seen of it, in fact). Check it out here.