A Jolly Guaraldi Holiday 2023

It's time once again for this annual round-up of Guaraldi-themed concerts taking place between now and the end of the year, most of which (of course!) are tied in to his music from A Charlie Brown Christmas.

The 2020 and '21 post-Covid slow-down definitely is behind us, since last year's impressive roster of performances matched pre-pandemic numbers. Some patrons and musicians remain cautious, and likely will be masked; we must respect folks wary of what seems to have become an annual "holiday infection bump." That said, the shows will go on. Some groups are "fighting back" with impressively lengthy schedules. Indeed, this year's list is much longer than ever before: We've covered 32 American states, five Canadian provinces and one venue in the UK. (And I'm sure groups in the remaining 18 states are joining in the fun; I simply haven't heard about them.)

All that said, schedules still are more fluid than they were, prior to 2020. It's best to keep an eye on the web site(s) of any artist and/or venue that catches your fancy, to learn of any last-minute changes.

I first traced the history and growth of this delightful annual tradition back in 2012, with a modest schedule that now seems quaint. This year's post will serve as a clearinghouse for any and all 2023 concerts that come to my attention. As always, I'll add to this schedule as new information becomes available, so you'll want to check back frequently. New entries and listings will be tagged as UPDATES. 

Let's start with mainstay groups with busy touring schedules:

• The Chris White Trio has become quite serious about honoring Guaraldi's holiday-themed Peanuts music. During the next month, Chris (on piano) will work with bassists Sean Jacobi, Mike Benning and Joe Policastro; and drummers Ryan Jacobi, Kurt Lubbe and Joe Adamik. The trio began this season back on Sunday, October 29, with a one-off performance of the music from It's the Great Pumpkin, Charlie Brown, at Winter's Jazz Club, in Chicago, Illinois. The same venue will host the trio's one-night tribute to the music from A Charlie Brown Thanksgiving on Wednesday, November 22. The group's full-schedule Charlie Brown Christmas shows will kick off Saturday, December 2, in Berwyn, Illinois, with additional performances at numerous Illinois venues, concluding Monday, December 18, at Evanston's MSpace. Details. 

• Doc Watkins and his Orchestra began their month-long Christmas in Jazz tributes to the music from A Charlie Brown Christmas at San Antonio's JazzTX, Texas, on Friday, November 24. Upcoming shows include November 25, November 30-December 2, and December 5, 8-9, 14-16, 19 and 23. Details. They also scheduled a December 22 performance at the Tobin Center for the Performing Arts, also in San Antonio. Details. The icing on the cake: Watkins' terrific 2022 album, The Music of A Charlie Brown Christmas; do check it out!

• The Eric Byrd Trio — Byrd, piano and vocals; Bhagwan Khalsa, acoustic bass; and Alphonso Young Jr., drums and percussion — has made a cottage industry of Guaraldi's Charlie Brown Christmas music, having thus far released two cover albums: a 2009 studio project, and a 2021 live performance. Both are available here. Byrd's combo began its annual run on Sunday, November 26, in Washington, D.C., with subsequent performances in Virginia and Maryland, concluding Saturday, December 23, at the Weinberg Center for the Arts, in Frederick, Maryland. Details.

• The Heather Pierson Trio — Pierson, piano; Shawn Nadeau, bass; and Craig Bryan, drums — will began an ambition Charlie Brown Christmas tour on Sunday, November 26, in Hopkinton, Massachusetts. Subsequent stops will include venues in New Hampshire and Maine, concluding on Sunday, December 24, in Bethel, Maine. Details.

• The Eric Mintel Quartet — Mintel, piano; Nelson Hill, sax; Jack Hegyi, bass; and Dave Mohn, drums — also has a busy schedule of Charlie Brown Holiday Jazz shows starting Wednesday, November 29, in Worcester, Massachusetts, with additional shows throughout New Jersey, Connecticut, New Hampshire and Pennsylvania, concluding Thursday, December 21, in Clinton, New Jersey. Details.

• The Cartoon Christmas Trio — Jeff Knoettner, piano; Rob Swanson, double bass; and Larry Marshall, drums — performs music from A Charlie Brown Christmas, along with tunes from other animated holiday shows, such as Frosty the Snowman and How the Grinch Stole Christmas. (Their 2008 album is a kick; check it out.) They have an extremely busy schedule that kicks off November 30 in Wilmington, Delaware, with subsequent stops through December 23 in Delaware, Pennsylvania and New Jersey. Details.

• Popular jazz pianist David Benoit traditionally headlines a concert tour of his Christmas Tribute to Charlie Brown each December. This year's schedule — which again features vocalist Courtney Fortune — kicks off Sunday, December 3, in Saratoga, California, with subsequent stops in New Jersey, Massachusetts, Arizona and additional California venues, and concludes Thursday-Saturday, December 21-23, at Dimitriou's Jazz Alley in Seattle, Washington. Check his website for details.

• The Ornaments — Jen Gunderman, piano; Martin Lynds, bass; and James Haggaerty, drums — will be joined by special guest soloists for their 18th annual performances of music from A Charlie Brown Christmas during a busy schedule that runs from December 16-23: two shows Saturday, December 16, at the Temple Theatre in Portland, Tennessee; and 13 shows (!) Monday through Saturday, December 18-23, at the Eastside Bowl, in Nashville, Tennesee. Details.

• The Annie Booth Trio — Booth, piano; Patrick McDevitt, bass; and Alejandro Castaño, drums — will be joined by guest vocalists Bailey Hinkley Grogan, Jenna McLean and Marion Powers, for their 10th annual Charlie Brown Christmas concerts during 13 shows (!) Monday through Sunday, December 18-24, at Dazzle, in Denver, Colorado. Details.

Pass the drumstick!

With copies of Guaraldi's score for A Charlie Brown Thanksgiving finally landing in the hands of eager fans who've literally waited — in some cases — half a century for this treasure, Sean and Jason Mendelson have been hitting the publicity trail.

Check out the following:

• Sean and Jason's impressively enthusiastic, 35-minutes October 12 visit to the Cereal at Midnight podcast;

• A brief October 13 album plug at Jazz Weekly;

• The New York Times' reader-submitted "Ultimate Fall Playlist," published October 13, with Guaraldi's "Great Pumpkin Waltz" first on the 14-track result (where it's the only instrumental);

• Sean Mendelson's lengthy, 40-minute focus on the vinyl edition, during this October 18 chat with WCB: Jazz Vinyl Collector; 

• This nifty CNN video plug, citing the album alongside new releases from the Rolling Stones and Nancy Sinatra ... a gathering of 1960s icons!

• Sean Mendelson's 25-minute interview about the album, during this November 8 Neon Jazz Interviews chat;

• The official Lee Mendelson Film Productions Inc. YouTube album playlist.

And a couple blasts from the past:

• Good Housekeepings's "50 Best Thanksgiving Songs for Your Turkey Day Playlist," updated back in November 2021, with Guaraldi's "Thanksgiving Theme" nicely slotted at No. 19; and

• Entertainment Weekly's "15 Essential Songs for Your Thanksgiving Playlist," published in November 2022. The last-place entry goes to Guaraldi's "Thanksgiving Theme." (Hey, it still made the list, right?) In both these cases, the tune now can be heard on its own soundtrack album.

Finally, for those who eschew physical media, links to four different sources that offer digital purchase/downloads of the Thanksgiving tracks. (Qobuz is a reliable seller of lossless downloads; Presto Music is known mostly as a shop for classical music, but they also offer soundtracks and jazz.)

(This isn't a definitive list, merely the most common sources.)

• Amazon (MP3) (click on "Purchase Options")

• Apple/iTunes (M4A) (may open automatically in Music app, or you may need to click the "open in Music" button)

• Qobuz (lossless download, high-res download)

• Presto Music (lossless or MP3 download)

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Finally, a brief acknowledgment of the holiday that comes before Thanksgiving...

Folks living in or near Chicago won't want to miss the Chris White Quartet's October 29 concerts at Winter's Jazz Club. Chris has been among the most ambitious of Guaraldi's torch-bearers; in addition to a busy annual schedule of Charlie Brown Christmas-themed shows — 23 this year! — in recent years he has branched out to include Great Pumpkin and Charlie Brown Thanksgiving gigs ... along with a Latin-themed Guaraldi set in July 2022.

We love this guy!

End of an era?

Has the Charlie Brown Christmas vinyl craze finally played out?

Concord/Craft confirmed that only one vinyl variant will be released this year: the picture vinyl shown at left, available solely from Barnes & Noble.

However...

Although this LP was scheduled to be released on September 22, it's "temporarily out of stock" at B&N's online store. Nor is it available in any of the 21 B&N outlets within 100 miles of our home. On top of which, I have a report from one fan who advance-ordered it online awhile back, and his order was canceled ... which is odd.

Hopefully, it simply has been delayed.

That aside ... goodness, just the one? 

That's quite a reduction from last year, which saw eight variants, as also was the case in 2021. (A complete history of this marketing program, which photos of the variants, can be found here.) Including this year's release, and assuming my math is accurate — and if it isn't, I'm sure somebody will tell me — über-fans will have accumulated 42 LPs and one green 45 single.

I'd love to know what such an individual did with them all.

Display all the discs on a wall? (If somebody reading this actually did that, please send a photo; I'll happily post it here.)

It seems unsatisfying to simply file them vertically, with only their side ID visible, as with a conventional row of LPs.

There's no question that all the vinyl variants released during the past several years helped push the album into the Billboard 200's Top 10 for the past two years. I wonder, then, if that won't happen this year.

I guess we'll find out...

Thanksgiving comes early this year!

Big news, gang.

 

We’ve all held our breath since late last year, hoping that the reception for the Definitive, Super Deluxe Charlie Brown Christmas — and the recently discovered, isn’t-it-fabulous original session recordings that produced a superior soundtrack for Great Pumpkin -- would translate, moving forward, into additional releases from Guaraldi’s Peanuts canon.

 

It has come to pass.

 

October 20 will see the debut of the full soundtrack from A Charlie Brown Thanksgiving, just in time for the 1973 special’s 50th anniversary: 13 themes and cues used in the show, along with nine never-before-heard bonus and alternative tracks. The album will be available in three states: CD, vinyl and digital download.

 

Check out the official press release here.

 

Pre-order the CD from MVD here.

 

Pre-order the standard (black vinyl) LP from MVD here.

Pre-order the above CD or LP from Amazon here and here.

Pre-order the special Record Store Day jelly bean green vinyl LP here.

Pre-order the Target exclusive cranberry vinyl LP here.

The track list:

 

Show score:

    1. Charlie Brown Blues

    2. Thanksgiving Theme

    3. Thanksgiving Theme (Reprise)

    4. Peppermint Patty

    5. Little Birdie

    6. Thanksgiving Interlude

    7. Is It James or Charlie?

    8. Linus and Lucy

    9. Fife & Drums Theme

    10. Charlie Brown Blues (Reprise)

    11. Thanksgiving Interlude (Reprise)

    12. Thanksgiving Theme (2nd Reprise)

    13. Thanksgiving Theme (3rd  Reprise)

 

Bonus/Alternate tracks:

    14. Thanksgiving Theme (Alternate)

    15. Peppermint Patty (Bonus Mix)

    16. Linus and Lucy (Bonus Mix)

    17. Thanksgiving Interlude (Alternate take 2, 4, and 6)

    18. Thanksgiving Interlude (Alternate take 10)

    19. Thanksgiving Interlude (Alternate take 14)

    20. Is It James or Charlie? (Bonus mix with Whistling)

    21. Clark and Guaraldi

Preview Track 16 here.

Preview Track 20 here.

 

The recording features Vince Guaraldi, piano, keyboards and vocals; Tom Harrell, trumpet and brass arrangements; Chuck Bennett, trombone; Seward McCain, electric bass; and Mike Clark, drums. The album is produced by Sean and Jason Mendelson, re-mixed by Terry Carleton at Bones and Knives, and restored and mastered/re-mastered by Vinson Hudson.

 

Avid Guaraldi fans have long regarded this Emmy Award-winning TV special as a favorite, which is no surprise; the show is wall-to-wall music, bouncing between acoustic and electric keyboards, going silent only during Linus’ gentle sermon about the first Thanksgiving (a speech almost as eloquent as the one he delivers in Charlie Brown Christmas).

 

That sequence aside, Guaraldi was allowed to stretch and supply longer cues, each one beginning as the previous one fades. The show boasts three new tunes, starting with a lyrical title theme constructed from acoustic piano filigrees that evoke the keyboard cascades in “Skating.” An impudent cue titled “Is It James or Charlie?” adds a bit of James Brown sass to the mix; and the stand-out newcomer is Guaraldi’s vocal on “Little Birdie,” played at length when Snoopy — tasked with setting up the outdoor dining arrangements — wrestles with a basketball net, a garage door, a ping-pong table and an impressively sentient folding chair. 

 

Returning cues include one of Guaraldi’s best arrangements of “Linus and Lucy,” with brass adding a spirited counterpoint to the primary theme, and also shading a new four-chord climb at the end of each verse’s fourth measure: heard while Snoopy orchestrates the Thanksgiving “dinner” of buttered toast, popcorn, pretzels, jelly beans and ice cream parfaits. “Peppermint Patty” gets a quiet, leisurely arrangement on electric keyboard: perfectly echoing the girl’s coquettish side, notably when she flirts with Charlie Brown over the phone, while inviting herself — and Marcie and Franklin — to a party that doesn’t yet exist. 

 

The show’s final reprise of the title theme introduces a sparkling brass counterpoint: a terrific conclusion to a half-hour of solid combo jazz.

What’s not to love?

Affectionate nods

Fellow Guaraldi fan Scott alerted me to a pair of just-discovered tributes, which have eluded our sharp little eyes until now (rather surprising, since neither is recent).

Guaraldi's combo and Northern Irish singer-songwriter Van Morrison occasionally appeared together for not quite half a year, from December 1972 through April 1973. These gig dates are certain:

• December 1 — The Alhambra Theater, Sacramento, at a benefit to save that venerable movie palace (an effort that failed, alas)

• December 15 — Berkeley Community Theater

• February 5 — The Lion's Share, San Anselmo

• April 27-28 — Cal-Neva Lodge, North Lake Tahoe

The Lion's Share appearance was broadcast live by KPFA; bootlegs circulate freely, including here.

Unfortunately, as I note in my book, the collaboration proved rocky, at best.

“They went down to Santa Monica once,” Guaraldi's girlfriend Gretchen Katamay recalled. “Vince told me later that he had driven up to the venue, looked at the marquee, and was shocked to discover that his name wasn’t included.

“Another time, Vince was going to record an album with Van. Everybody was sitting in the studio, waiting for Van; an hour and a half went by, so Vince got up and walked out. It was ‘leader’s attitude.’ Even though Vince had it himself, he wasn’t going to put up with it from somebody else. It wasn’t that important.”

Morrison's “rock star” attitude notwithstanding, he obviously thought back fondly on the partnership, as the decades passed. His’s 2016 album, Keep Me Singing, includes “In Tiburon,” a poetic ode that name-checks the hungry i, the Trident, the Cliff House, Lenny Bruce, Chet Baker and Jack Kerouac, among others. 

Dr. Funk gets his own line, sung twice: “Vince Guaraldi would play ‘Cast Your Fate to the Wind’ in the distance.”

Full lyrics can be found here.

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This one's a bit unusual.

In February 2012, poet, essayist and literary critic Robert Pinsky — former Poet Laureate Consultant in Poetry to the U.S. Library of Congress — teamed with Grammy Award-winning jazz pianist/composer Laurence Hobgood, for an album titled PoemJazz. Pinsky “performs” his poetry with melody and rhythm, in a harmonic/counterpoint “conversation” with Hobgood’s keyboard work: a style that hearkens back to the 1950s beat poets. 

One of the album tracks, “Ginza Samba,” begins as an ode to the saxophone, and then expands into a wealth of poetic imagery. 

We all know that "Ginza Samba" — sometimes called just plain-vanilla "Ginza" — is one of Guaraldi's early compositions. And, indeed, the tune can be recognized during this March 11, 2013, performance at Boston University; Pinsky is joined by Hobgood, piano; Stan Strickland, saxes; and John Lockwood, bass. Pinsky acknowledges this collaboration's origins: "This next poem, 'Ginza Samba,' is taken from the name of an actual jazz tune." (No, he didn't cite Guaraldi by name.)

That said, the version on the 2012 album doesn't sound at all like Guaraldi's tune.

Pinsky subsequently published the piece in a 2014 collection titled Ginza Samba: Selected Poems. (The full text of the title poem can be read here.) He and Hobgood frequently performed the piece thereafter, and I suspect the latter's keyboard accompaniment varied each time; after all, that's the nature of jazz.

You just never know when — or where — another reference to Guaraldi will pop up...

Bits & bobs: Winter 2023

Late last year, I spent a delightful couple of hours chatting with Bill Carter, pastor of the First Presbyterian Church of Clarks Summit, Pennsylvania. As some of you know, he's also an accomplished jazz pianist who heads the swingin' Presbybop Quartet, making him a member of the small but wonderfully active "jazz praise" musicians' network.

Longtime followers of Guaraldi and this blog will recall that Bill spent a year getting ready for his church's 50th anniversary celebration of Guaraldi's Grace Cathedral Jazz Mass, which resulted in a marvelous September morning in 2015, as I related here.

Bill also has spent the last few years writing a book, Thriving on a Riff: Jazz and the Spiritual Life, soon to be published by Broadleaf Books. Partly as a means of spreading the word about this project, and partly because he so enjoys discussing the intersection of music (notably jazz) and religion, he was encouraged to "enhance his media presence." He therefore began a fortnightly podcast, The Spirit of Jazz, which has been going strong since last August.

(By now you must have realized that Bill is one of those individuals who rarely pauses to eat or sleep.)

He invited me to be a guest for one episode, but — because our conversation continued at considerable length — he wound up with enough material for two full episodes. (Neither of us can be accused of having little to say.) They are:

• Jazz and Charlie Brown

• Jazz Goes to the Cathedral

While you're visiting, be sure to check out his other episodes; they're all quite engaging (just like Bill himself).

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Many months have passed, since the two new releases of Guaraldi's Jazz Impressions of Black Orpheus were announced, back in September. So many months, in fact, that you've likely forgotten that Craft Recordings' Small Batch One-Step Pressing LP finally will be released next Friday, February 24. (New liner notes are supplied by someone I know fairly well.)

Orders can be placed here, or via Amazon, or — better still — request the album at your local brick-and-mortar music store, to help keep them in business!

Chart success: 2022

After the excitement generated by last year's holiday-season sales of Guaraldi's soundtrack to A Charlie Brown Christmas, the question was whether the results would be as spectacular this year.

Not quite ... but still very impressive.

Three Billboard charts held our attention this year:

• The Billboard 200, which tracks album sales across all platforms (the formula being 1,500 on-demand audio and/or video song streams = 10 tracks sales = 1 album sale);

• Billboard's Top Album Sales, which preserves the traditional methodology of counting solely pure album sales (which is where all those variant vinyl LPs play an important role); and

• Billboard's Hot 100, which tracks the popularity of individual songs.

Last year, A Charlie Brown Christmas rose to #6 on the Billboard 200. So, how did it do this year?

The album entered the chart (once again, a "re-entry") for the week of November 19, at #90. It quickly rose to #43 the following week, and then #17 on December 3. It entered the top 10 — at #10 — the next week, but dropped to #12 on December 17. Then it rallied, and rose to #9 on December 24 ... and then #8 on December 31. Alas, that proved to be its peak, as it dropped back to #10 during the week of January 7.

Ah, but the news was much better in the Top Album Sales chart, where A Charlie Brown Christmas entered at #11 on December 3. It rose to #7 the following week, and then to #5 on December 17 ... which surpassed the previous year's peak position (#6). But Vince wasn't finished; his album hit #2 (!) on December 24, trailing behind only Taylor Swift's Midnight.

We held our breath, and wondered ... could Charlie Brown overtake Ms. Swift the following week?

(Highly unlikely. A Charlie Brown Christmas sold 17,000 units that week, to achieve its #2 status ... while Midnight's sales were in the low six figures.)

Alas, A Charlie Brown Christmas dropped to #3 on December 31, and then to #8 on January 7.

UPDATE: It dropped to #40, for the week ending January 14. (Guaraldi vanished from the other two charts.)

The Hot 100 chart offered a bit of solace. "Linus and Lucy" popped up for one week, at #49 on December 31, giving that tune its second run on this chart, following the previous year's surprise appearance (at #37). It disappeared on January 7, when "Christmas Time Is Here" debuted, at #50. It, too, did better the previous year, with a two-week run (#48, then #41).

Albeit a bit disappointing, we must put this chart action in perspective; we're talking about music that was produced almost seven decades ago, by a jazz artist who's been dead for almost half a century. If that isn't unprecedented, it's certainly astonishing!

A jolly Guaraldi holiday 2022

It's time once again for this annual round-up of Guaraldi-themed concerts taking place between now and the end of the year, most of which (of course!) are tied in to his music from A Charlie Brown Christmas.

Following 2020's much smaller list of streaming-only performances, things initially looked more promising last year. Numerous artists and groups optimistically scheduled live performances, most of which took place as planned. Some, alas, were derailed by Covid's mid- to late December "winter bounce." 

Although we definitely aren't out of the woods yet — with hospitals and caregivers currently getting slammed by the terrible trio of Covid, annual flu and RSV — we seem to have decided, to borrow that wonderful phrase from the British, to keep calm and carry on. This year's roster of performances already is approaching the impressive pre-pandemic numbers. Some musicians no doubt will be masked; some clubs likely will insist that patrons take similar precautions. That said — to borrow yet another famous phrase — the shows will go on. Indeed, some groups have booked impressively lengthy schedules.

Even so, it'll be best to keep an eye on the web site(s) of any artist and/or venue that catches your fancy, to determine if the schedule has shifted.

I first traced the history and growth of this delightful annual tradition back in 2012, with a modest schedule that now seems quaint. This year's post will serve as a clearinghouse for any and all 2022 concerts that come to my attention. As always, I'll add to this schedule as new information becomes available, so you'll want to check back frequently. New entries and listings will be tagged as UPDATES. 

Let's dig in!

• The Eric Byrd Trio — Byrd, piano and vocals; Bhagwan Khalsa, acoustic bass; and Alphonso Young Jr., drums and percussion — has made a cottage industry of Guaraldi's Charlie Brown Christmas music, having thus far released two cover albums: a 2009 studio project, and a 2021 live performance. Both are available here. Byrd's combo began its 10-show run on November 26, with upcoming performances in Maryland, Virginia, Pennsylvania and Washington, D.C., concluding Friday, December 23, at the Weinberg Center for the Arts, in Frederick, Maryland. Details.

• Doc Watkins and his Orchestra began their month-long Christmas in Jazz tributes to the music from A Charlie Brown Christmas at San Antonio's JazzTX, Texas, on November 25. Upcoming shows include December 1-4, 8-11, 15-18 and 20-22. Details. They also scheduled a December 14 performance at the Tobin Center for the Performing Arts, also in San Antonio. Details. The icing on the cake: Watkins just released a terrific new album, The Music of A Charlie Brown Christmas. Check it out!

Publicity galore!

(Please forgive the total lack of modesty in what follows. I'll try to keep the bubbling enthusiasm under control, but — really — this is new territory.)

The recent — and still upcoming — releases of the new-and-improved score for It's the Great Pumpkin Charlie Brown, along with the Super Deluxe five-disc collection of music and studio sessions for A Charlie Brown Christmas, have generated a wholly unexpected degree of interest from some high-profile web and print publications.

I suddenly found myself in demand as a "hot get" interview subject ... which is to say, folks came after me, rather than — as was the case when my Guaraldi biography was published, back in 2012 — my having to cold-call jazz radio stations across the country, hoping to find sympathetic DJs willing to plug the book.

To borrow a marvelous line from Chuck Mangione back in the day, when confronted by a massive sold-out venue that he couldn't have imagined, even a few years earlier: "Mother never said there'd be a day like this."

Taking them in publication order:

I had fun chatting with Tony Sokol, at Den of Geek; some of his questions were a bit silly and arch — as befits their style — but they were just as fun to answer, as his more serious queries.

Erik Adams, at Indiewire, probed deep into the back-story of It's the Great Pumpkin, and he emerged with one of the best-researched, engaging and superbly written stories I've ever encountered.

Next up was something I didn't even realize was on my bucket list, until it occurred: Getting interviewed by Variety was an honor all by itself. The fact that the interviewer was Jon Burlingame — The Man, when it comes to soundtrack history and analysis, and author of numerous books including TV's Biggest Hits, The Music of James Bond, and the upcoming Music for Prime Time (all of which I own, or will own) — was akin to getting an audience with the Dalai Lama. Like, wow...

On a more local level, I shared microphones with Sean and Jason Mendelson for a captivating episode of the public affairs radio show Davisville, hosted by Bill Buchanan. (It's a shame the show couldn't have expanded to include the lively chatter before and after taping, which was just as entertaining and informative.)

And Fate had one more surprise in store. When I received the LP copies of Great Pumpkin and the double-disc Charlie Brown Christmas highlights, I was astonished to see that the promotional sticker, attached to the plastic wrap, cited me for the liner notes. How often does that happen?

My understanding is that one more major publicity/promotional event will live-stream toward the end of this month. Stay tuned...

Playing for Peanuts

Sunday afternoon was way too much fun.

Constant Companion and I were among the full house present at Santa Rosa’s Luther Burbank Center for the Arts this past Sunday, October 9, for the world premiere of Playing for Peanuts: The Music of Vince Guaraldi.

 

Jazz pianist David Benoit, well regarded as the primo torchbearer for Guaraldi’s Peanuts legacy, along with his trio — Roberto Vally, bass; and Dan Schnelle, drums — were joined by the impressively large Santa Rosa Symphony. (Honestly, I’m not quite sure how all those musicians fit onto the comparatively small stage.) The Symphony was directed by Francesco Lecce-Chong, although Michael Berkowitz earned the spotlight as Principal Pops Conductor (beginning his final season with the Symphony).

 

Berkowitz was an ideal choice as conductor; he’s almost as animated as Bill Melendez’s TV special renditions of Charlie Brown and his friends.

 

This ambitious project has been a collaborative effort, for the past couple of years, between Benoit, Sean Mendelson and Jason Mendelson. Designing, developing and fine-tuning these new orchestrations of Guaraldi’s music — all arranged by Benoit — kept all three occupied while they were sequestered by Covid.

 

Their approach was quite clever: blending Guaraldi’s iconic themes — along with equally delightful, but lesser-known score cues — into themed “medleys.” The long-term goal is to take these new orchestrations “on the road,” and also to make them available for orchestral units across the United States (and anywhere else in the world). For the most part, the medley sequencing is immaterial, as is the decision on how many to include in a given performance by an ensemble of any size. Two, three or four medleys could serve as one-third of an orchestral performance; alternatively, many could be blended to make a two-hour Peanuts Guaraldi extravaganza.

 

Sunday’s Santa Rosa performance, at slightly more than an hour, came somewhere in the middle.