This definitely isn't a rock!

I've been sitting on this information since December.

Craft Recordings went public with the news today, which makes it fair game for this blog.

As I describe in my fresh liner notes, this is the pot of gold at the end of the rainbow: the sigh of rapturous satisfaction from Guaraldi fans who for decades believed — nay, insisted — that original Great Pumpkin recording session tapes must exist. Somewhere.

(Yes, I had to borrow a note from one of Charles Schulz's most famous quotes: With this set of liner notes, I had to write the same thing without repeating myself. You can tell me whether I succeeded.)

I guess we can thank Covid.

Assuming one managed to escape getting sick, pandemic-enforced isolation had a few benefits, such as encouraging some of us to finally tackle massive, long-postponed projects of one sort or another. Honestly, what else were we able to do with our time?

The folks over at Lee Mendelson Film Productions spent a year and change spelunking in the darkest corners of their voluminous archives. Marvelous Guaraldi artifacts — some believed lost forever — were unearthed.

This is the first.

Craft's official announcement includes quite a lot of detail, so check it out.

Craft also released a short promo video, which can be seen here. (And I was pleasantly surprised by the shout-out.)

This release actually is better than we could have hoped for, because it includes a number of alternate takes ... and, yes, full-length versions of iconic Peanuts themes heard only partially during the TV special.

"The Great Pumpkin Waltz" (Alternate Take 2) can be heard on various digital platforms, including YouTube.

Barring supply-chain issues, all formats should be available on August 26.

The sole vexing note is that the cover of this new release is almost identical to its inferior 2018 predecessor; fans will need to be extremely careful — particularly with online orders — when purchasing a copy. Yes, the 2022 copyright date is helpful; and yes, the presence of the aforementioned alternates takes, in the track list, is a giveaway. But the quickest distinction is that the 2018 release is called "Music from the soundtrack" (above the album title), whereas the 2022 release is an "Original soundtrack recording."

Even so, I do fear that some casual buyers may not look that closely.

To anticipate the obvious next question, yes, there may be more to come. The Mendelson vaults have yet to be fully archived, and future plans also will depend upon this release's sales (so tell all of your friends and family members to buy one!).

Meanwhile, Linus would be pleased: The Great Pumpkin really did show up this time!

Another sales milestone!

Guaraldi’s soundtrack to 1965’s A Charlie Brown Christmas has just been certified quintuple platinum by the Recording Industry Association of America (RIAA).

 

Back in the day, such a count would have been tabulated by physical album sales: LPs and CDs. The RIAA included streams beginning in February 2016, so this Charlie Brown Christmas milestone is based on more than 4 million copies purchased over various formats, and 1.14 billion streams.

 

(The formula is 1,500 on-demand audio and/or video song streams = 10 track sales = 1 album sale.)

 

As always gets mentioned in the same breath, this makes A Charlie Brown Christmas the second-best-selling jazz album of all time, behind Miles Davis’ Kind of Blue, which went quintuple platinum in 2019. And as I always point out — most recently in this post, when A Charlie Brown Christmas went quadruple platinum in December 2016 — these RIAA figures are based mostly on electronically recorded sales made subsequent to 1991, when Neilsen SoundScan began tracking data. Clearly, Guaraldi’s album sold many, many copies during the previous quarter-century … but because Fantasy’s record-keeping was so sloppy during those earlier years, a precise figure has been impossible to determine.

 

It’s therefore entirely possible that Guaraldi’s album has surpassed Kind of Blue … but we can only speculate. (In fairness, Davis’ album also sold plenty of copies prior to 1991.)

 

Meanwhile, this is merely the latest in a long line of accolades showered upon Guaraldi’s score. The album first was certified platinum in 1996; was inducted in the Grammy Hall of Fame in 2007; and was added to the Library of Congress’ National Recording Registry in 2012. Just last December, as detailed in this post, the album reached its highest-ever Billboard chart position, 56 years after its original release. Nor can we overlook Billboard citing A Charlie Brown Christmas at the top of its 50-position Greatest of All Time Holiday Albums List (followed, for those who are curious, by Michael Bublé’s Christmas, Mariah Carey’s Merry Christmas, and Mannheim Steamroller’s A Fresh Aire Christmas and Christmas).

Good ol’ Charlie Brown may not have shone during baseball and football place-kicking, but he’s certainly no slouch when it comes to album sales! 

More great stuff from the magazine archives!

My previous post concerned the exciting discovery of a searchable online archive for Record World, during its time one of the three primary U.S. weekly music industry trade publications.

 

In my delight over focusing on Record World entries related to Guaraldi, I initially neglected to investigate more about the host site: worldradiohistory.com

 

Oh. My. Goodness.

 

Record World is just one of dozens of magazines and journals offered with similarly searchable archives; you’ll find the list here.

 

Alternatively, clicking on the “Music Magazines” button, along the top row, will open a sub-menu allowing quick access to a given magazine’s entire archive.

 

The depth and scope of this site are simply jaw-dropping.

 

It remains a work in progress; some archives aren’t complete, and occasional issues have missing pages. But it’s still astonishing.

 

Having thoroughly examined Record World, I subsequently turned my attention to Billboard, Cash Box and Down Beat (as it was known, in the early days). 

 

Billboard began publishing in 1894. The entries are spotty until 1936, after which each year is pretty much complete. (Most crucially, it’s much easier — and more reliable — to search here, than in the Google Books Billboard archives, which return only some hits for a given search term.)

 

Cash Box ran from 1942 to 1996, and its archive is solid.

 

Down Beat, which debuted in 1934, is the most haphazard. 1934-36, 1938 and 1963 are entirely (or mostly) missing, and the entries are thin in 1971-77, and 1979-83.

 

All three magazines yielded plenty of fresh information about Guaraldi. I was particularly pleased by bits and bobs in the early 1950s, a period where information about his activities is quite scarce.

 

That said, the absence of 1963 in the Down Beat archive was vexing, since that was a busy year for him. Additionally, several of the Down Beat entries are weeks — even months — out of date, in terms of the information presented, which also is frustrating.

 

Some highlights:

 

• Thanks to Down Beat, I now have this earliest known photo (by far!) of Guaraldi performing with a combo. The quality isn’t terrific, but that’s him at far left. Until now, I was aware of Guaraldi performing with this quartet solely in the spring of 1951, but this photo ran in the November 16, 1951, issue. That’s intriguing, because Guaraldi had joined Cal Tjader’s trio as of mid-September. Was he simultaneously moonlighting with Chuck Travis? Unlikely, as the schedule with Tjader was full. But Guaraldi’s activities were sparse for most of 1951, until he joined Tjader, so it’s entirely possible that the gig with Travis was off and on throughout the summer. (Regardless, this Down Beat photo and caption obviously ran months after Guaraldi had left Travis.)

• This gig was new to me: On March 9, 1955, Down Beat reported that “Jerry Dodgion now leading the house band at the Black Hawk [sic], with Dottie Grae on drums, Dean Riley [sic], bass, and Vince Guaraldi, piano.” (Dodgion was part of the Guaraldi Quartet, with a different bassist and drummer, on Modern Music from San Francisco, recorded in August of the same year.)

 

• On December 28, 1955, Down Beat reported that “Vince Guaraldi drawing a lot of comment for his piano playing these nights at hungry i.”

 

• On March 7, 1956, Down Beat gave a thorough review of the Woody Herman band’s performance at New York’s Basin Street. (Guaraldi had joined Herman’s band the previous New Year’s Eve.) The lengthy piece includes this comment: “In the rhythm section, Woody has a find in pianist Vince Guaraldi, a San Franciscan recommended by Ralph Gleason. Guaraldi plays with rare economy of means, much warmth and taste, an excellent beat, and a real feeling for the blues vein in jazz.”

 

• Billboard gave a very nice review of Guaraldi’s first album, Vince Guaraldi Trio, on September 29, 1956: “Altho sales are unlikely to be spectacular, this is one of the pleasant surprises of the month. Guaraldi is a young San Francisco pianist who has been getting rave notices with the Woody Herman band. Evidence here says he’s a tasteful, authoritative and facile modernist, and that he swings. Further, he has a sense of humor. Guitarist Eddie Duran and bassist Dean Reilly are worthy colleagues. Try their version of John Lewis’ ‘Django’ for a real delight.”

 

• On May 2, 1957, Down Beat reviewed Introducing Gus Mancuso; Guaraldi performed on three of that album’s tracks. The review includes this comment: “Guaraldi is a particularly stimulating soloist (and isn’t it time for another LP by him?)” And, indeed, Guaraldi next album, A Flower Is a Lovesome Thing, arrived a few months later.

 

• On February 19, 1959, Down Beat reported that “Pianist Vince Guaraldi, scheduled to leave the Cal Tjader Quartet this month, is planning a musical partnership with drummer Johnny Markham and bassist John Mosher.” Guaraldi actually split with Tjader on January 18 or 19, and his next known booking followed immediately: at Lenny’s, in Oakland, every Tuesday evening, as part of tenor saxman Harold Wylie’s Quartet, alongside Markham and bassist Jerry Goode. I’ve no evidence that Guaraldi ever headed a trio with Markham and Mosher.

 

• Billboard noted the rising interest in Guaraldi’s Black Orpheus album on December 15, 1962: “Vince Guaraldi on San Francisco’s Fantasy label is grabbing solid sales action. Jazz Impressions of Black Orpheus has gone over 7,000 in album sales within six weeks, and is spreading to other areas. The single ‘Cast Your Fate to the Winds' [sic], a segment of the album, started in Sacramento, spread to all of Northern California with 10,000 discs out, and is now moving strongly in Southern California.”

• Fantasy ran a cute ad in Cash Box, on February 2, 1963; check it out at right. (Note Fantasy's address: As I’ve said elsewhere, it’s Treat Avenue, not Street!)

 

• On June 8, 1963, Cash Box tagged the Guaraldi Quintet single “Zelao”/“Jitterbug Waltz” — from the album In Person — as a Best Bet: “Vince Guaraldi, who scored last time out with ‘Cast Your Fate to the Winds’ [sic], could duplicate that success with this top-flight bossa nova follow-up stanza. The tune is a contagious, easy-going lyrical ballad with a danceable, rapidly-changing beat.”

 

• On September 18, 1965, Billboard noted that Guaraldi’s single, “Theme to Grace” — taken from the Grace Cathedral Jazz Mass LP — was “predicted to reach the Hot 100 Chart.” (Alas, it didn’t happen.)

 

• On August 6, 1966, Cash Box tagged Shelby Flint’s vocal cover of “Cast Your Fate to the Wind” — on a single backed by “The Lilly” — as a Best Bet: “Shelby Flint could make lots of playlists with this sweet, lyrical reading of this oft cut ditty. The lark does a smooth, lilting job on the tender lyric. Watch closely.” (Indeed, her single made Billboard’s Top 100 chart for six weeks, peaking at No. 61.)

• Finally, this was an eye-opener: Guaraldi’s first album for Warners, Oh Good Grief, made Billboard’s Best Selling Jazz LPs chart for two consecutive weeks, on June 29 and July 6, 1968. He’s at the bottom of the chart both times … but that’s still charting! 

Tidbits from Record World

I recently discovered a searchable online archive devoted to Record World, which — during its reign, from 1946 to 1982 — was one of the three primary U.S. weekly music industry trade publications, alongside Billboard and Cash Box. Record World actually debuted under the name Music Vendor, then switched in 1964, and continued under that new name until its final issue (April 10, 1982).

The archive is an obvious labor of love, with (thus far) most of its content running from spring 1964 to end of publication. Guaraldi likely wouldn’t have been more than an occasional blip until 1960 or ’61, but I’m sure he’d have been mentioned a lot in 1962 and ’63; I hope those issues will be added to the archive at some future time.

 

Meanwhile, a search on Vince turned up a couple dozen results, a few of which are worth noting here.

 

Talk about luck: The sole 1962 issue in the archive — June 23 — includes early mention of Jazz Impressions of Black Orpheus, as a coveted “Album Pick.” The brief write-up certainly is encouraging:

Pianist Guaraldi has a cleverly swinging, inventively saleable jazz product here. There is Brazilian music blending Latin African rhythms which were featured in tunes presented in this 1959 Cannes Film Festival winning pic. Proper exploitation could make it a chart album; it has the musical ingredients.

 

Mind you, this was a month before San Francisco’s Melody Sales issued a press release extolling the album, and another couple months before the impact of Sacramento radio station KROY’s success with “Cast Your Fate to the Wind” began to have a national impact. That makes Music Vendor quite prescient.

 

Moving ahead…

 

Now as Record World, the 9/25/65 issue’s “Money Music” column includes this brief item: “Much good music play in S.F. on ‘Theme to Grace’ — Vince Guaraldi, Fantasy — plus other areas.” Two months later, on November 27, the same column amplified the message: “ ‘Theme for [sic] Grace,’ Vince Guaraldi, Fantasy, selling well in Chicago and Detroit off good music play (plus California).”

 

These are the only industry mentions I’ve ever seen, regarding this particular Guaraldi tune’s chart and business activity. Pretty cool!

 

Elsewhere in that same issue, Record World says very nice things about Guaraldi’s just-released soundtrack to A Charlie Brown Christmas:

 

Guaraldi plays the jazz score of the new cartoon coming by for Christmas consumption. Most of the album is Guaraldi improvisations on familiar seasonal standards and carols — all getting fresh treatment from the piano player. The movie should give buyers a big push toward counters.

 

(Given publication lead time, this proves review copies were sent out at least two weeks prior to December 4, which has long been assumed the album’s public release date.)

 

Moving forward to December 3, 1966, reviewer Del Shields waxed enthusiastic about Live at El Matador:

Eastern jazz fans have not had a chance to hear Bola Sete. Out on the West Coast, Bola is the “in thing,” and this album could be one of the big sleepers of the year. Guaraldi, whose “Cast Your Fate to the Wind” was a monster chart item a few seasons ago, lends sympathetic support to this Brazilian guitarist, and the result is pure pleasure. Again, the excitement of the crowd helps so much to project the feeling of “you are there” on quite a session. “Black Orpheus Suite” is particularly outstanding.

 

The 10/7/67 issue includes an intriguing little item, buried within an article which discusses the recent sale of Fantasy and Galaxy Records to Saul Zaentz. In a paragraph highlighting future activity, Zaentz mentions an “eight-LP release for October and November, featuring new albums by,” among others, Guaraldi. That never happened, and there’s no indication that Guaraldi had a new album ready to be released on such short notice. (Guaraldi’s final Fantasy album was the aforementioned Live at El Matador, released a year earlier.) And it’s odd that Zaentz would issue such a statement, given that Guaraldi was in the midst of suing to be released from his Fantasy contract, which was indeed dissolved just a few months later, on December 27.

 

Guaraldi didn’t waste any time. Record World’s 4/13/68 issue features a short article headlined “WB-7A Signs Guaraldi,” which reads, in part:

 

Vince Guaraldi, composer of “Cast Your Fate to the Wind” and the musical scores of the Charlie Brown television specials, has been signed to an exclusive contract as an artist by Warner Bros.-Seven Arts Records Inc., announces Joe Smith, Vice President and general manager.

 

Guaraldi, one of the more recent contributors responsible for interpretive jazz in church halls and theater, will produce his own sessions at Warners.

 

It’s nice to see an early article that acknowledges the impact of Guaraldi’s Grace Cathedral Mass.

 

Moving ahead again, the 1/17/70 issue includes one of the very few reviews I’ve seen of Alma-Ville, the final album Guaraldi released during his lifetime:

That subtle, fluid melodic mind of Vince Guaraldi’s is at it again. Vince has come up with some exquisite melodies on this album, and plays them better than anybody else can, or probably ever will. He also does a striking guitar solo. Watch every cut.

 

(Goodness; you can’t ask for better than that!)

 

The final Guaraldi entry is somewhat bittersweet, as it comes more than a year after his passing in early 1976. The 12/24/77 issue features a round-up of “good Christmas records” by columnists David McGee and Barry Taylor. Along with paragraphs devoted to Elvis’ Christmas Album, Phil Spector’s Christmas Album, Merry Christmas: The Supremes and several others, we get this endorsement of A Charlie Brown Christmas:

 

Nothing like it anywhere. Vince Guaraldi fused classical, pop and jazz in writing the mellowest of scores for the Emmy Award-winning television show. Light and lyrical, with boundless good humor, it is enough to make you believe in Santa Claus and man’s inherent goodness.

 

We now take for granted that Guaraldi’s score for that cherished Peanuts special has become a must-play item every December … but it’s nice to see that Record World, way back in 1977, already was trumpeting its merits as a holiday chestnut. 

Bits & bobs

Followers of this blog will recall that the various special releases promised for last year's Record Store Day — on Saturday, June 12 — included Guaraldi's “Baseball Theme,” pressed for the very first time as a stand-alone, 7-inch single. Alas, supply-chain issues and the ongoing vinyl shortage resulted in numerous titles being postponed or canceled; the Guaraldi single was one of the casualties.

Good news, folks: It now has been promised for Record Store Day 2022: Saturday, April 23. Mark your calendar!

By way of a reminder, the A-side features 1964's original soundtrack version of the song, while the B-side is an alternative studio take never before available on vinyl (although it is included on the album's 2014 CD re-release). 

“Baseball Theme” was one of many tunes Guaraldi wrote for the never-released 1964 documentary, A Boy Named Charlie Brown: to be used in a sequence devoted to Charlie Brown’s ill-fated efforts on the ball field. Guaraldi deftly leads his trio through the up-tempo instrumental track, accompanied by bassist Monty Budwig and drummer Colin Bailey. 

The limited-edition single is pressed on white vinyl and housed in a colorful jacket, featuring whimsical, baseball-themed images of Charlie Brown and Snoopy. Visit recordstoreday.com for a list of participating indie retailers. 

********

The San Francisco Chronicle recently published an excellent article concerning an honor bestowed to the famous Hyde Street Studios: a bronze plaque recognizing it as a legacy business in San Francisco, for its contributions to the history and identity of the neighborhood, and to the pantheon of pop music.

Way back in the day, when it was known as the Wally Heider Studios (and following his breakup with Fantasy), Guaraldi recorded many of his scores for Peanuts specials within its walls, starting with You're Not Elected, Charlie Brown, and concluding — on February 6, the day he later died — with It's Arbor Day, Charlie Brown. 

On February 6, 1974, Guaraldi and his trio were in that studio to record a live concert broadcast by KPFA and KPFB, much later released as the CD Live on the Air.

Guaraldi also spent several studio sessions, over the course of his final few years, recording tracks for a never-completed album: among them "Autumn Leaves," "Billie's Bounce," "No. 1 Snoopy Place," "Special Song" and "Your Song."

********

This isn't fresh news, but it was new to me.

Back in 2009, Fantasy released the two-disc Definitive Vince Guaraldi, which is a marvelous 31-song collection of Guaraldi's best work for that label, from early tunes such as "Calling Dr. Funk" to later Peanuts efforts, such as the title theme to A Charlie Brown Thanksgiving. The package also included two previously unreleased tracks: "Blues for Peanuts" and an alternate take of "Autumn Leaves."

I somehow missed the fact that, in July 2019, Hal Leonard released a massive 216-page book in its "Artist Transcription" series, devoted to the music in this two-disc set, and bearing the same title.

It contains all 31 songs.

Let me assure you, these are not trivial arrangements; as promised by the series, they are "authentic, note-for-note transcriptions." Many of them — I'm looking at "On Green Dolphin Street" and "Manha de Carnaval" — are impressively dense; you'll need serious piano chops to play these puppies.

(But everybody loves a challenge, right?)

This is, without question, the most impressive Guaraldi song book released thus far. Better work on those finger exercises!

Credits where due

By now, most avid fans know that all existing copies of A Charlie Brown Christmas, going back half a century — whether broadcast on television; or purchased on VHS, DVD or Blu-ray, or from iTunes and other such sources; or streamed — are absent the title credits acknowledgment of Coca-Cola's sponsorship. The credits now conclude after Snoopy blanket-whips Charlie Brown into a tree, with a vocal chorus of "Christmas Time Is Here" fading into silence rather abruptly.

But television viewers back in 1965 — and during the 1966 re-broadcast — got a bit more; Snoopy then blanket-whips Linus into a sign that reads, "Brought to you by the people in your town who bottle Coca-Cola." We also get a more reasonable fade of the song.

Perhaps a bit less well known is the fact that the same thing happens during the end credits, which — in all existing prints — conclude after acknowledging director/producer Lee Mendelson, animator Bill Melendez, and United Feature Syndicate; the gang's cheerful delivery of "Hark, the Herald Angels Sing" similarly fades rather abruptly. We no longer see the final title card, which reads "Merry Christmas, from the people who bottle Coca-Cola." And, needless to say, the song concludes properly.

Happily, these artifacts have been resurrected by intrepid Internet elves; they can be seen here and here.

Ah, but how many of you know that such shenanigans also compromised the next two Peanuts specials?

After Charlie Brown drops the high fly ball during the opening sequence of Charlie Brown's All-Stars, he dejectedly walks along a fence that credits Charles M. Schulz; he pushes a board up, to walk through the fence ... and that's all we see these days, as the music fades. But the sequence continues for another 10 seconds, as — now on the other side of the fence — poor Chuck trudges past signs that credit Coca-Cola and co-sponsor Dolly Madison Cakes. Check it out here.

(One suspects similar co-sponsor acknowledgments in the end credits, but — if true — they've yet to surface.)

The long-absent bits from It's the Great Pumpkin, Charlie Brown are even more fun. In all existings versions of this special, the title credits and music fade out after acknowledging Schulz, as an owl flies directly toward the screen. Ah, but the original sequence continues for an additional 17 delightful seconds: first crediting Coca-Cola via a scarecrow, as the panicked gang flees behind it; and then Dolly Madison Cakes, as Snoopy dances atop a pumpkin. Again, the conclusion of Guaraldi's title theme is much more satisfying, as can be seen (and heard) here.

Existing end credits conclude after acknowledging Mendelson, Melendez and United Feature Syndicate; the musical fade is quite abrupt and clumsy. But the infuriated Linus continues to berates Charlie Brown for another 10 seconds, during which Dolly Madison and Coca-Cola are acknowledged ... and, more crucially for us Guaraldi fans, his perky arrangement of "Charlie Brown Theme" comes to a proper conclusion. Check it out here.

I believe this practice ceased when the next special, You're in Love, Charlie Brown, came along in June 1967; by this point, fewer shows and specials were being sponsored by just one or two entities. But I won't be certain until somebody verifies having seen an archival copy of that original broadcast.

********

Speaking of A Charlie Brown Christmas, did sharp-eared viewers of the recent Marvel Universe series Hawkeye catch the use of the Guaraldi Trio's "Christmas Time Is Here"? The holiday-themed storyline included quite a few Christmas songs in each episode; Guaraldi's tune — the vocal version, sung by Charlie Brown and his friends — is the first heard in the fifth episode, "Ronin." it begins at 13:40, as Clint walks New York City's late-night streets to Grills' apartment, and continues for about 30 seconds while Grills welcomes him inside.

Needless to say, those showrunners have superb taste in music!

********

Shortly after this blog's previous post, the folks at Lee Mendelson Film Productions added seven more online folios of Vince Guaraldi's Peanuts themes. I supplemented the original list, but of course that post wasn't sent a second time via email, so you wouldn't necessarily know about the additions. Ergo, this is fresh notification that these titles have been added:

• "Bon Voyage"

• "It's a Mystery, Charlie Brown"

• "Charlie Brown's Wake-Up"

• "Charlie Brown's All-Stars"

• "Sassy Sally"

• "Schroeder's Wolfgang"

• "Woodstock's Dream"

You'll find links within the previous post. 

New projects

Pandemic-enforced isolation has a few benefits, such as encouraging folks to finally tackle massive, long-postponed projects of one sort or another. I mean, really; what else were we able to do with our time?

The folks over at Lee Mendelson Film Productions spent the past year and change digging through their music archives, which prompted some happy discoveries: wonderful Guaraldi artifacts, some of which may have been thought lost; additional details will follow, as plans for mainstream release can be finalized.

One of their many goals has been to enhance Guaraldi's sheet music library, by releasing more fulsome expressions of his genius Peanuts work. They've started with 18 of Guaraldi's less well-known themes and cues, which now are available via Hal Leonard Publishing as online folios. They aren't simple, "E-Z play" arrangements for all ages; these are solid transcriptions that'll require at least some keyboard chops.

Click each title to be taken to the relevant SheetMusicDirect page.

• "Love Will Come"

• "Graveyard Theme"

• "Incumbent Waltz"

• "You're in Love, Charlie Brown"

• "Cops and Robbers"

• "Little Red-Haired Girl" (a preferable title for a cue originally called "Trio Ad Lib" when used in You're in Love, Charlie Brown)

• "Paw Pet Overture"

• "Pitkin County Blues"

• "Play It Again, Charlie Brown"

• "School Days"

• "Charlie's Blues"

• "Bon Voyage, Charlie Brown"

• "It's a Mystery, Charlie Brown"

• "Charlie Brown's Wake-Up"

• "Charlie Brown's All-Stars"

• "Sassy Sally"

• "Schroeder's Wolfgang"

• "Woodstock's Dream"

Have fun! More will follow, as long as this initial set generates sufficient interest. 

********

Across the border in Canada, the Community Foundation of Nova Scotia has unveiled the Jerry Granelli Legacy Fund, in recognition of the jazz drummer — and long-ago Guaraldi sideman — who passed last year. The fund is dedicated to carrying on Granelli's unique approach to teaching, and to the nurturing of the improvising arts community he created in Nova Scotia, which was his home for many years, and where — in addition to his live performances — he worked as an educator and community builder.

His unique teaching approach is embodied in the Creative Music Workshop, established in 1996 with fellow Halifax musicians Don Palmer (sax) and Skip Beckwith (bass).

The Workshop has been run in collaboration with the Atlantic/Halifax Jazz Festival since its inception. Today it is an eight-day intensive program grounding participants of all ages, skill levels, and artistic disciplines in the fundamentals and practice of improvisation in music and life. 

This is a lovely honor ... and it makes me want to visit Nova Scotia!

(When such travel once again is safe and practical, of course...)

Chart success!

Guaraldi's score for A Charlie Brown Christmas has been popular ever since it debuted back in 1965, so it's no surprise that sales increase every year, as we approach the holiday season. What is surprising is that the album's popularity — as measured by sales, and recorded by Billboard magazine's various charts — has been increasing dramatically during the past several years.

The album didn't achieve any Billboard ranking until 1987, when (finally!) it debuted on the Top Holiday Albums chart. Two decades later — for the week ending January 27, 2007 — it peaked at No. 2 on that chart.

Its performance on the Billboard 200 (album) chart is more noteworthy, as this chart clocks all genres. A Charlie Brown Christmas always has posted respectable numbers during the final month of each year, but it finally reached the Top 10 — at #10 — just a year ago, on January 2, 2021.

Ah, but its performance this past holiday season has been spectacular.

The album entered the Billboard 200 chart on the week ending November 13, at #159. It rose to #63 the following week, then #51, and then #21. It hit #10 on December 11. Then it rose to #9 the following week, and #8 on Christmas Day.

Then — wait for it — the album hit #6 (!) on January 1, 2022. That's amazing.

(I suspect all those variants LPs, which have become an annual tradition, had a great deal to do with that ranking.)

UPDATE: With the holidays behind us, I guessed it would drop much lower the following week ... but that didn't happen. A Charlie Brown Christmas still placed a very respectable #8 for the week concluding January 8.

But this isn't even the best news.

Billboard's Hot 100 tracks the popularity of individual songs; way back in the day, that was measured by the sales of 45 singles. These days, as explained by Billboard, "The week's most popular songs across all genres [are] ranked by radio airplay audience impressions, as measured by Nielsen Music; sales data, as compiled by Nielsen Music; and streaming activity data provided by online music sources."

Guaraldi's only song to hit the Hot 100 was "Cast Your Fate to the Wind," which entered that chart — at #94 — on December 8, 1962. During a 19-week run that finally concluded on April 6, 1963, it peaked at #22 on February 23.

That song remained a Hot 100 Guaraldi one-shot ... until now.

The just-released Hot 100 chart — also dated January 1, 2022 — reveals two new debuts: "Linus and Lucy," at #37; and "Christmas Time Is Here," at #48.

UPDATE: "Christmas Time Is Here" rose to #41 for the week dated January 8, although (alas) "Linus and Lucy" vanished from the chart.

More than half a century after they were released.

This truly has been a magical Guaraldi Christmas!

[Note: The chart links above always default to the most recent week; you can dial back to any previous week by clicking on the blue circle calendar icon, directly below the chart title.]

Christmas tributes galore!

Goodness; this year's roster of seasonal tribute performances of Guaraldi’s score for A Charlie Brown Christmas grew and grew and grew, after the initial November 15 post.

 

By droll coincidence, three of the groups have released their efforts on CDs or downloadable singles this year, starting with the New England-based Eric Byrd Trio. Byrd, a veteran jazz pianist, has performed professionally for more than three decades, and has shared a stage with Wynton Marsalis, Chick Corea, Randy Brecker, Warren Wolf, Charlie Byrd and numerous other jazz luminaries. He and his longtime trio — acoustic bassist Bhagwan Khalsa, and drummer/percussionist Alphonso Young Jr. — got into the Guaraldi holiday gig quite early; their first cover album came out back in 2009.

That was a studio production; their new release — Charlie Brown Live — was recorded last December 18 and 19 at the Carroll Arts Center in Westminster, Maryland. The seven-track compilation is a solid, mainstream jazz affair, with the familiar melodies peppered with plenty of aggressive improv solos. Happily, audience applause and ambient noise never intrude (as often is the case with live recordings).

 

Byrd opens the album with Guaraldi’s signature solo keyboard introduction to “O Tannenbaum”; the arrangement slides into gentle mid-tempo jazz as the sidemen join the fun. Byrd’s forceful keyboard solo is followed by a contemplative bass solo and a few tasty drum solos, before the trio slides back into the melody; it’s a nice showcase for all three players.

 

“Linus and Lucy” boasts sassy keyboard work on the first bridge, and a truly wild ride up and down the keyboard during the second; Khalsa’s walking bass comping is equally solid. Noodly solo piano eventually slides into a bold reading of “What Child Is This,” which trades off between the familiar melody and heavy chord improv and hard-hitting drum work. “My Little Drum” opens with a lengthy quote from the hymn “In the Bleak Midwinter,” after which Byrd slides into an upper-octave arrangement of the melody; he pauses for Khalsa’s tasty bass solo, which yields to (of course!) some powerful drum work.

 

The album closer, “Christmas Is Coming,” is a lot of fun; it opens with a heavy beat, sashays into a swing-time bridge and then a raucous piano solo and equally tasty improv on bass and drums. The tune concludes with some playoff music, as Byrd introduces his band mates: a playful finale to a brief but impressively dynamic set. Both this and the 2009 album are available via his website.

 

A Jolly Guaraldi Holiday 2021

It's time once again for this annual round-up of Guaraldi-themed concerts taking place between now and the end of the year, most of which (of course!) are tied in to his music from A Charlie Brown Christmas.

Last year's schedule proved incredibly fluid, as rising Covid concerns and restrictions constantly changed schedules, sometimes with very little notice. Almost all of the brave souls who attempted to present live, at-venue performances, were forced to pivot to streaming options. While that was disappointing for each group's local fans, the result proved awesome for the rest of us. I was able to watch performances by many, many groups — 24 of them! — that have always been too geographically distant for me to catch in person.

Things are equally up in the air this year. While numerous artists and groups already have optimistically scheduled live performances, we don't yet know whether a Covid "winter bounce" will strike for a second year. As was the case last year, it'll be best to keep an eye on the artist and/or venue web site, to determine if a live presentation has shifted to streaming-only ... or (I hope not!) canceled entirely.

I traced the history and growth of this delightful tradition back in 2012, with a modest schedule that now seems quaint. This year's post will serve as a clearinghouse for any and all 2021 concerts that come to my attention. As always, I'll add to this schedule as new information becomes available, so you'll want to check back frequently. New entries and listings will be tagged as UPDATES.

Let's dig in!

• The Eric Byrd Trio — Byrd, piano and vocals; Bhagwan Khalsa, acoustic bass; Alphonso Young Jr., drums and percussion — has made a cottage industry of Guaraldi's Christmas music, going so far as to cover most of the album in a 2009 CD. Best of all, the trio just released a new album: a live performance recorded during one of their gigs in Westminster, Maryland. Both are available here.  Byrd's combo is booked for 10 shows this year, starting Saturday, November 20, at the Blackrock Center for the Arts in Germantown, Maryland; and concluding Saturday, December 18, at the Carroll Art Center in Westminster, Maryland. Check his web site for details.

• The Chris White Trio — White, piano; Sean Jacobi, bass; and Ryan Jacobi, drums — will kick off a busy schedule with a tribute to the music of A Charlie Brown Thanksgiving on Wednesday, November 24, at Winter's Jazz Club in Chicago, Illinois. Subsequent Charlie Brown Christmas tribute concerts will begin Saturday and Sunday, December 4 and 5, at Hey Nonny, also in Chicago. Details. Information about additional Charlie Brown Christmas concerts can be found at Chris' website.

• The Steve Myerson Trio — Myerson, piano; Mike Boone, bass; and George Coleman Jr., drums — will present a Vince Guaraldi Holiday Special on Wednesday, November 24, at Shanghai Jazz in Madison, New Jersey. Details.

• Doc Watkins and His Orchestra will present "Christmas in Jazz," featuring music from A Charlie Brown Christmas during 16 (!) live performances every Friday and Saturday, from November 26 through December 18, at JazzTX in San Antonio, Texas. Details. He'll also present Big Band Jazz arrangements of Guaraldi's iconic music on Thursday, December 16, at the Tobin Center for the Performing Arts, also in San Antonio. Details.

• The Eric Mintel Quartet — Mintel, piano; Nelson Hill, sax; Jack Hegyi, bass; and Dave Mohn, drums — also has a busy schedule planned, beginning with Vince Guaraldi & The Holidays on Saturday, November 27, at Shanghai Jazz, Madison, New Jersey; and concluding on Monday, December 20, at Artefact, Furlong, Pennsylvania; with plenty of dates in between. Details at their website.

• UPDATE: The Cartoon Christmas Trio — Jeff Knoettner, piano; Rob Swanson, bass; Jimmy Coleman, drums — performs music from A Charlie Brown Christmas and tunes from other animated holiday shows, such as Frosty the Snowman and How the Grinch Stole Christmas. (Their album is a kick; give it a listen.) They have a busy schedule, starting Wednesday, December 1, at Winterthur Estates and Gardens in Winterthur, Delaware, and concluding Wednesday, December 22, at The Pines, in Rehoboth Beach, Delaware. Check their calendar for details.

• UPDATE: The Mich Shirey Duo — Shirey, guitar; and Nick Fane, upright bass — will present Guitar for Guaraldi: A Charlie Brown Christmas Tribute on Wednesday, December 1, at the Whistler in Chicago, Illinois. Details.

• Popular jazz pianist David Benoit traditionally headlines a busy concert tour of his Christmas Tribute to Charlie Brown each December; alas, his schedule was limited to just two performances last year. He's returning with a vengeance this year, with a 15-stop tour that begins Thursday, December 2, in Natick, Massachusetts; and concludes Thursday, December 23, in San Juan Capistrano, California; with stops along the way in Pennsylvania, Ohio, Nebraska, Washington and more. Check his website for details.

• Pianist Keith Byrd and his Frynz combo will present a Charlie Brown Christmas concert on Thursday, December 2, at the Centennial Station Arts Center in High Point, North Carolina. Details.

• The Heather Pierson Acoustic Trio — Pierson, piano; Shawn Nadeau, bass; and Davy Sturtevant, guitar, mandolin, dobro, fiddle, cornet — will begin an ambitious Charlie Brown Christmas tour on Friday, December 3, at the Bangor Arts Exchange in Bangor, Maine. Subsequent stops will includes venues in Vermont and New Hampshire, concluding on Saturday, December 18, at Atac: Downtown Arts + Music in Framingham, Massachusetts. Full details are available at her website calendar.

• The Ed Croft Trio — Croft, bass; Jake Malone Brancato, piano; and Candice Simone Thomas, drums — will present a concert titled "Charlie Brown Is in Town" on Friday and Saturday, December 3 and 4, at the Pausa Art House in Buffalo, New York. Details. They'll follow this with another performance on Sunday, December 5, at the Seneca One Tower, also in Buffalo. Details.

• UPDATE: The Donovan Johnson Band — Johnson, piano; Ed Archibald, sax/flute; Kevin Kerwin, guitar; Steve Gomez, bass; William Nanson, drums; and Kent Barnes, percussion — will be joined by vocalist Stephen Sheehan for The Music of Vince Guaraldi and Peanuts, on Saturday, December 4, at the Omaha Conservatory of Music, Omaha, Nebraska. Details.

• The Ron LeGault Trio will present Charlie Brown Goes to the Nutcracker — Guaraldi's music from the holiday special, blended with jazz versions of music from the Nutcracker Ballet — on three consecutive Saturdays, December 4, 11 and 18, at the St. Julien Hotel & Spa in Boulder, Colorado. Details.

• The Joey Nardone Trio — Nardone, piano; Brian Allen, bass; and Chris Brown, drums — will present their sixth annual tribute to the music of Vince Guaraldi's A Charlie Brown Christmas on Sunday, December 5, at City Winery Nashville, Nashville, Tennessee. Details.

• The John Sherwood Trio — Sherwood, piano; Scott Alexander, bass; and Brian Barlow, drums — will perform the music from A Charlie Brown Christmas on Sunday, December 5, at the Empire Theatre, Belleville, Ontario, Canada. Details.

• UPDATE: The Mich Shirey Trio — Shirey, guitar; Nick Fane, upright bass; and Dave Brandwein, drums — will present Guitar for Guaraldi: A Charlie Brown Christmas Tribute on Sunday, December 5, at the Montrose Saloon in Chicago, Illinois. Details.

• Saxophonist Patrick Lamb and his Quartet — Dan Gaynor, piano; Dan Balmer, guitar; and Adam Carlson, drums — will perform the music from A Charlie Brown Christmas on Monday, December 6, at the Tower Theater in Bend, Oregon. Details.

• UPDATE: The Ed Vezinho and Jim Ward Big Band — featuring some of Atlantic City's finest showroom musicians — will perform the score from A Charlie Brown Christmas on Monday, December 6, at the Stockton Studies in the Arts' Campus Center Theatre, in Galloway, New Jersey. Details.

• The Peter Roberts Band will perform the music from A Charlie Brown Christmas on three consecutive Tuesdays — December 7, 14 and 21 — at Noce, Des Moines, Iowa. Details.

• UPDATE: The Commercialists — Anthony Deutsch, piano; Clay Schaub, bass; and Patrick Morrow, drums — will perform the music from A Charlie Brown Christmas nightly, two or three shows per evening, from Friday, December 10, through Tuesday, December 21, at the Jazz Estate in Milwaukee, Wisconsin. Details.

• The Jim Martinez Jazz Quartet — Arlyn Anderson, guitar; Matt Robinson, bass; and Tim Metz, drums — and guest vocalist Lauren Ross will present the music from A Charlie Brown Christmas on Friday, December 10, at the Fair Oaks Church in Fair Oaks, California. Details.

• UPDATE: The Ed Croft Trio — Croft, bass; Jake Malone Brancato, piano; and Candice Simone Thomas, drums — will present the music from A Charlie Brown Christmas on Friday, December 10, at the 1891 Fredonia Opera House in Fredonia, New York. Details. 

• The Stanford Jazz Workshop will host The Glen Pearson Trio — Pearson, piano; Ruth Davies, bass; and Lorca Hart, drums — in three performances of the music from A Charlie Brown Christmas, Friday through Sunday, December 10-12, at the Campbell Recital Hall, Stanford, California. Details.

• TT Mahony and Jeffrey Butzer will present their annual tribute to A Charlie Brown Christmas for three nights — Friday through Sunday, December 10-12 — at The Earl, in Atlanta, Georgia. Details. 

• The Cliff Habian Quartet — Habian, piano; Pete Cavano, guitar; Jeff Slater, bass; and Eric Everett, drums — will present A Tribute to the Music of Vince Guaraldi on Saturday, December 11, at The Fine Arts Association in Willoughby, Ohio. Details.

• UPDATE: The Vince Guaraldi Trio-bute — Alan Zemaitis, piano; Christopher Kettlewell, bass guitar; and Kyle Sullivan, drums — will perform the music from A Charlie Brown Christmas on Saturday, December 11, at The Dakota Tavern, Toronto, Ontario, Canada. Details.

• The Taurey Butler Trio — Butler, piano; Frédéric Alarie, bass; and Wali Muhammad, drums — will present the music from A Charlie Brown Christmas on Saturday, December 11, at Théâtre Beaubois in Pierrefonds-Roxboro, Montreal, Quebec. Details.

• The Konrad Paszkudzki Trio, along with guest vocalist Olivia Chindamo, will celebrate the season with The Music of Vince Guaraldi on Sunday, December 12, at Saint Joseph's Arts Society, San Francisco, California. Details.

• UPDATE: The Mich Shirey Trio — Shirey, guitar; Nick Fane, upright bass; and Dave Brandwein, drums — will present a "Yule Log" special video devoted to his new Guaraldi tribute album, Guitar for Guaraldi, beginning at 7:30 p.m. Eastern Time, via YouTube, on Sunday, December 12. Mich promises to be present via the live chat. Check it out here!.

• UPDATE: The Jim Connerley Trio — Connerley, piano; Eric Sayer, bass; and Ben Bratton, drums — will present their annual tribute to A Charlie Brown Christmas on Sunday, December 12, at the Mansion Hill Sanctuary in Newport, Kentucky. Details.

• UPDATE: The Malcolm Granger Trio — Granger, piano; Rich Hill, bass; and Michael Dunford, percussion — will perform the music from A Charlie Brown Christmas on Sunday, December 12, at the Cotuit Center for the Arts in Cotuit, Massachusetts. Details.

• The Michelle Schumann Trio — Schumann, piano; Utah Hamrick, bass; and David Sierra, drums — will be joined by special guests for a performance of Vince Guaraldi's music from A Charlie Brown Christmas on Sunday, December 12, at the Paramount Theatre, Austin, Texas. Details.

• The Jose "Juicy" Gonzales Trio — Gonzales, piano and vocals; Michael Marcus, bass; and Matt Jorgensen, drums — will present its 10th annual tribute to the music from A Charlie Brown Christmas on Sunday, December 12, at the Cornish Playhouse in Seattle, Washington. Details.

• UPDATE: The Mich Shirey Trio — Shirey, guitar; Nick Fane, upright bass; and Dave Brandwein, drums — will present Guitar for Guaraldi: A Charlie Brown Christmas Tribute on Monday, December 13, at the aptly named Café Mustache in Chicago, Illinois. Details.

• TT Mahony and Jeffrey Butzer will perform the music from A Charlie Brown Christmas Tuesday, December 14, at MadLife Stage & Studios, Woodstock, Georgia. Details. 

• The Winnipeg Jazz Orchestra will present Vince Guaraldi's music during a special presentation of A Charlie Brown Christmas — narrated by Quinn Greene, and featuring vocalist Jayme Giesbrecht — on Wednesday, December 15, at the West End Cultural Centre in Winnipeg, Manitoba, Canada. Details.

• The Taurey Butler Trio — Butler, piano; Frédéric Alarie, bass; and Wali Muhammad, drums — will be joined by vocalist Marie-Christine Depestre for a performance the music from A Charlie Brown Christmas, on Wednesday and Thursday, December 11-12, at Salle Bourgie in Montreal, Quebec. Details.

• UPDATE: David Ellington's Peanut Gallery will perform the music from A Charlie Brown Christmas on Tuesday through Thursday, December 14-16; Sunday, December 19; and Tuesday through Thursday, December 21-23; at Venkman's in Atlanta, Georgia. Details. 

• UPDATE: The Good Grief Trio — Greg Hankins, piano; Luca Lombardi, bass; and Seth Hendershot, drums — will present a tribute to Vince Guaraldi's A Charlie Brown Christmas Wednesday, December 15, at the High Cotton Music Hall in Hartwell, Georgia. Details.

• The Michelle Schumann Trio — Schumann, piano; Utah Hamrick, bass; and David Sierra, drums — will present their annual concert of music from A Charlie Brown Christmas during afternoon and evening performances Thursday, December 16, at Stateside at the Paramount, in the Austin Chamber Music Center, Austin, Texas. A virtual option will be available for those unable to attend in person. Details.

• TT Mahony and Jeffrey Butzer will perform the music from A Charlie Brown Christmas Thursday, December 16, at the 40 Watt Club, Athens, Georgia. Details. 

• UPDATE: The Aidan Scrimgeour Trio — Scrimgeour, piano; Matt Estabrook, bass; and PJ Holaday, drums — will perform the music from A Charlie Brown Christmas on Thursday, December 16, at Tufts University's Granoff Music Center, in Medford, Massachusetts. Details.

• The Good Grief Trio — Greg Hankins, piano; Luca Lombardi, bass; and Seth Hendershot, drums — will be joined by the Peanuts Choir (SJ Ursrey, William Kissane, Matthew Lawing and Sarah Lawing) for a tribute to Vince Guaraldi's A Charlie Brown Christmas Thursday through Saturday, December 16-18, at Hendershot's Coffee Bar in Athens, Georgia. Details.

• UPDATE: The Sean Drabitt Trio — Drabitt, bass; Brent Jarvis, piano; and Joe Poole, drums — will perform the music from Guaraldi's A Charlie Brown Christmas Thursday through Saturday, December 16-18, at Hermann's Jazz Club in Victoria, British Columbia. Details.

• The Joe Cool Trio — John Milham, drums; Chris Spies, piano; and Chris Severin, bass — will once again present their 12th annual Charlie Brown Jazz Christmas concert on Friday, December 17, at the Laurel Little Theatre in Laurel, Mississippi. Details.

• UPDATE: The Aidan Scrimgeour Trio — Scrimgeour, piano; Matt Estabrook, bass; and PJ Holaday, drums — will perform the music from A Charlie Brown Christmas on Friday, December 17, at Studio FOLI in Salem, Massachusetts. Details.

• UPDATE: The Donovan Johnson Band — Johnson, piano; Ed Archibald, sax/flute; Kevin Kerwin, guitar; Steve Gomez, bass; William Nanson, drums; and Kent Barnes, percussion — will be joined by vocalist Stephen Sheehan for The Music of Vince Guaraldi and Peanuts, on Friday, December 17, at the Omaha Conservatory of Music, Omaha, Nebraska. Details.

• UPDATE: The Nate Hance Trio, along with the vocal stylings of Kijana, will present a tribute to A Charlie Brown Christmas, along with many other favorite holiday tunes, on Friday, December 17, at the Aster Café in Minneapolis, Minnesota. Details.

• The Jason Frederick Cinematic Trio — Frederick, piano; Scott Wheeler, double bass; and Dan Mullins, drums — will present The Music of Vince Guaraldi on Friday, December 17, at the Royal Albert Hall in London, England. Details.

• The David Gleason Sextet — Gleason, piano; Chris Pasin, trumpet; Ben O'Shea, trombone; Brian Patneaude, sax; Michael Lawrence, bass; and Pete Sweeney, drums — will present It's a Jazzy Christmas: Celebrating the Holiday Music of Vince Guaraldi on Friday, December 17, at Proctors Theatre in Schenectady, New York. Details.

• The Adam Shulman Trio — Shulman, piano; John Wiitala, bass; and James Gallagher, drums — has performed the music from Vince Guaraldi's A Charlie Brown Christmas at SFJazz Center's Miner Auditorium, San Francisco, for the past several years. Last year was solely virtual, but this year they're back to live and in person: Friday and Saturday, December 17-18. (The Friday evening performance also will be streamed, but only to SFJazz members.) Details.

• UPDATE: The Ornaments — Jen Gunderman, piano; Martin Lynds, bass; and James Haggerty, drums — will be joined by numerous special guests for their 16th annual performance of music from A Charlie Brown Christmas Friday through Sunday, December 17-19, at The Wash at Eastside Bowl in Madison, Tennessee. Details.

• UPDATE: The Commercialists — Anthony Deutsch, piano; Clay Schaub, bass; and Patrick Morrow, drums — will perform the music from A Charlie Brown Christmas nightly, two or three shows per evening, through Tuesday, December 21, at the Jazz Estate in Milwaukee, Wisconsin. Details.

• The Jason Frederick Cinematic Trio —Frederick, piano; Scott Wheeler, double bass; and Dan Mullins, drums — will present a concert titled A Charlie Brown Christmas and the Music of Vince Guaraldi on Saturday, December 18, at the Colchester Arts Centre in Colchester, Essex, England. Details.

• UPDATE: The Jose "Juicy" Gonzales Trio — Gonzales, piano and vocals; Michael Marcus, bass; and Matt Jorgensen, drums — will present its 10th annual tribute to the music from A Charlie Brown Christmas on Saturday, December 18, at JazzClubs Northwest in North Bend, Washington. Details.

• UPDATE: The Aidan Scrimgeour Trio — Scrimgeour, piano; Matt Estabrook, bass; and PJ Holaday, drums — will perform the music from A Charlie Brown Christmas on Saturday and Sunday, December 18-19, at the Parish Center for the Arts in Westford, Massachusetts. Details.

• The Taurey Butler Trio — Butler, piano; Frédéric Alarie, bass; and Wali Muhammad, drums — will be joined by vocalist Marie-Christine Depestre for a performance the music from A Charlie Brown Christmas, on Saturday, December 18, at Le Café culturel de la Chasse-galerie in Lavaltrie, Quebec. Details.

• The Joe Cool Trio — John Milham, drums; Chris Spies, piano; and Chris Severin, bass — will once again present their 12th annual Charlie Brown Jazz Christmas concert on Saturday, December 18, at the Saenger Theatre in Mobile, Alabama. Details.

• The Ed Croft Trio — Croft, bass; Jake Malone Brancato, piano; and Candice Simone Thomas, drums — will perform the music from A Charlie Brown Christmas on Saturday and Sunday, December 18 and 19, at the Revolution Gallery in Buffalo, New York. Details.

• The Joe Cool Trio — John Milham, drums; Chris Spies, piano; and Chris Severin, bass — will once again present their 12th annual Charlie Brown Jazz Christmas concert on Sunday, December 19, at the Frog Pond in Silverhilll, Alabama. Details.

• UPDATE: Flautist Bill McBirnie and vocalist Shannon Butcher will lead a Charlie Brown Jazz Vespers on Sunday, December 19, at St. Paul's Anglican Church in Hamilton, Ontario. Details.

• UPDATE: The Jose "Juicy" Gonzales Trio — Gonzales, piano and vocals; Michael Marcus, bass; and Matt Jorgensen, drums — will present its 10th annual tribute to the music from A Charlie Brown Christmas on Sunday, December 19, at Tim Noah's Thumbnail Theater in Snohomish, Washington. Details.

• UPDATE: The Mahogany Hall Jazz Ensemble — Patrick Courtin, piano; Andrew Cullen, bass; James McRae, drums; and Simon Paterson, vocals — will perform the music from A Charlie Brown Christmas, along with holiday classics by Frank Sinatra, Nat King Cole and others, on Sunday, December 19, at Knox United Church, Parksville, British Columbia. Details.

• UPDATE: Jazz pianist Patrick Carr will be joined by "friends" for a tribute to A Charlie Brown Christmas and other Guaraldi compositions, on Monday, December 20, at Wild Birds in Brooklyn, New York. Details.

• The Jeremy Baum Quartet — Baum, piano; Chris Vitarello, guitar; Sue Williams, upright bass; and David Tedeschi, drums — will present Vince Guaraldi's music from A Charlie Brown Christmas on Tuesday, December 21, at the Mohonk Mountain House in New Paltz, New York. (Note: This event is solely for guests spending the night.) Details.

• Pianists Alex Guilbert and Chris McCarthy will be joined by other keyboardists for a celebration of the music from A Charlie Brown Christmas on Tuesday, December 21, at the Royal Room in Seattle, Washington. Details.

• The Annie Booth Trio — Booth, pianist; Patrick McDevitt, bass; and Alejandro Castaño, drums — will present their annual Charlie Brown Christmas tribute concerts Tuesday through Friday, December 21-24 — with multiple performances each day — at Dazzle, in Denver, Colorado. Details.

• UPDATE: Pianist Clifford Cameron will perform the music from A Charlie Brown Christmas on Wednesday, December 22, at Blue, in Portland, Maine. Details.

• UPDATE: The Vince Guaraldi Trio-bute — Alan Zemaitis, piano; Christopher Kettlewell, bass guitar; and Kyle Sullivan, drums — will perform the music from A Charlie Brown Christmas on Wednesday, December 22, at The Edmund Burke in Toronto, Ontario, Canada. Details.

• The Jazz Troubadours — Tom Rickard, vibes; Guy Cantonwine, upright bass; and Steve Davis, drums — will perform the music from A Charlie Brown Christmas on Wednesday, December 22, at Evangeline's Bistro in St. Louis, Missouri. Details.

• UPDATE: Veteran session trumpeter Mike Lewis will be joined by his jazz friends for their fifth annual celebration of A Charlie Brown Christmas on Wednesday, December 22, at the Blue Note in Honolulu, Hawaii. Details.

• The Sean Mason Trio — Mason, piano; Butler Knowles, bass; and Malcolm Charles, drums — will be joined by vocalist Tyra Scott for a quartet of Charlie Brown Christmas concerts Wednesday and Thursday, December 22-23, at Middle C Jazz in Charlotte, North Carolina. Details. 

• The Commercialists — Anthony Deutsch, piano; Clay Schaub, bass; and Patrick Morrow, drums — will perform the music from A Charlie Brown Christmas during a pair of concerts on Thursday, December 23, at the Turner Hall Ballroom in Milwaukee, Wisconsin. Details.

• UPDATE: The George Caldwell Trio will present A Vince Guaraldi Christmas on Thursday, December 23, at Tappo Pizza in Buffalo, New York. Details.

• UPDATE: The Jeremy Baum Trio — Baum, piano; Sue Williams, acoustic bass; and Peter O'Brien, drums — will present Vince Guaraldi's music from A Charlie Brown Christmas on Thursday, December 23, at Colony in Woodstock, New York. Details.

• The Duck Soup Trio — Adam Bravo, piano; Anthony Shadduck, bass; and Sam Webster, drums — will present a tribute to A Charlie Brown Christmas and the music of Vince Guaraldi on Thursday, December 23, at Campus Jax in Newport Beach, California. Details.

• UPDATED UPDATE: The Cliff Habian Quartet concert announced for Thursday, December 30, at The Market Garden Brewery in Cleveland, Ohio, has (alas!) been canceled. Details.