Credits where due

By now, most avid fans know that all existing copies of A Charlie Brown Christmas, going back half a century — whether broadcast on television; or purchased on VHS, DVD or Blu-ray, or from iTunes and other such sources; or streamed — are absent the title credits acknowledgment of Coca-Cola's sponsorship. The credits now conclude after Snoopy blanket-whips Charlie Brown into a tree, with a vocal chorus of "Christmas Time Is Here" fading into silence rather abruptly.

But television viewers back in 1965 — and during the 1966 re-broadcast — got a bit more; Snoopy then blanket-whips Linus into a sign that reads, "Brought to you by the people in your town who bottle Coca-Cola." We also get a more reasonable fade of the song.

Perhaps a bit less well known is the fact that the same thing happens during the end credits, which — in all existing prints — conclude after acknowledging director/producer Lee Mendelson, animator Bill Melendez, and United Feature Syndicate; the gang's cheerful delivery of "Hark, the Herald Angels Sing" similarly fades rather abruptly. We no longer see the final title card, which reads "Merry Christmas, from the people who bottle Coca-Cola." And, needless to say, the song concludes properly.

Happily, these artifacts have been resurrected by intrepid Internet elves; they can be seen here and here.

Ah, but how many of you know that such shenanigans also compromised the next two Peanuts specials?

After Charlie Brown drops the high fly ball during the opening sequence of Charlie Brown's All-Stars, he dejectedly walks along a fence that credits Charles M. Schulz; he pushes a board up, to walk through the fence ... and that's all we see these days, as the music fades. But the sequence continues for another 10 seconds, as — now on the other side of the fence — poor Chuck trudges past signs that credit Coca-Cola and co-sponsor Dolly Madison Cakes. Check it out here.

(One suspects similar co-sponsor acknowledgments in the end credits, but — if true — they've yet to surface.)

The long-absent bits from It's the Great Pumpkin, Charlie Brown are even more fun. In all existings versions of this special, the title credits and music fade out after acknowledging Schulz, as an owl flies directly toward the screen. Ah, but the original sequence continues for an additional 17 delightful seconds: first crediting Coca-Cola via a scarecrow, as the panicked gang flees behind it; and then Dolly Madison Cakes, as Snoopy dances atop a pumpkin. Again, the conclusion of Guaraldi's title theme is much more satisfying, as can be seen (and heard) here.

Existing end credits conclude after acknowledging Mendelson, Melendez and United Feature Syndicate; the musical fade is quite abrupt and clumsy. But the infuriated Linus continues to berates Charlie Brown for another 10 seconds, during which Dolly Madison and Coca-Cola are acknowledged ... and, more crucially for us Guaraldi fans, his perky arrangement of "Charlie Brown Theme" comes to a proper conclusion. Check it out here.

I believe this practice ceased when the next special, You're in Love, Charlie Brown, came along in June 1967; by this point, fewer shows and specials were being sponsored by just one or two entities. But I won't be certain until somebody verifies having seen an archival copy of that original broadcast.

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Speaking of A Charlie Brown Christmas, did sharp-eared viewers of the recent Marvel Universe series Hawkeye catch the use of the Guaraldi Trio's "Christmas Time Is Here"? The holiday-themed storyline included quite a few Christmas songs in each episode; Guaraldi's tune — the vocal version, sung by Charlie Brown and his friends — is the first heard in the fifth episode, "Ronin." it begins at 13:40, as Clint walks New York City's late-night streets to Grills' apartment, and continues for about 30 seconds while Grills welcomes him inside.

Needless to say, those showrunners have superb taste in music!

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Shortly after this blog's previous post, the folks at Lee Mendelson Film Productions added seven more online folios of Vince Guaraldi's Peanuts themes. I supplemented the original list, but of course that post wasn't sent a second time via email, so you wouldn't necessarily know about the additions. Ergo, this is fresh notification that these titles have been added:

• "Bon Voyage"

• "It's a Mystery, Charlie Brown"

• "Charlie Brown's Wake-Up"

• "Charlie Brown's All-Stars"

• "Sassy Sally"

• "Schroeder's Wolfgang"

• "Woodstock's Dream"

You'll find links within the previous post. 

A little of this, a little of that: Summer 2019

Guaraldi's pop-culture relevance continues to shine...

The Marvel TV series Legion featured two of his Peanuts tracks on the current third (and final) season's second episode, simply titled "Chapter 21." (Mind you, given the show's deliberately outré weirdness, it's impossible to know why the tunes were used.)

Toward the beginning, the soundtrack featured the seldom-heard vocal version of "Oh, Good Grief." Later into the episode, the Shadow King is shown at the piano, playing "Christmas Time Is Here" ... although the backing combo was nowhere to be seen. (As Guaraldi fan Rob pointed out, the lighting was quite moody, so maybe they were hidden behind a pillar somewhere.)

Given this show's target audience, I can't help wondering if most viewers even recognized one or both tunes...

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Following last autumn's CD debut of Guaraldi's score for It's the Great Pumpkin, Charlie Brown -- details available in this earlier post -- Concord's Craft Recordings division has announced the upcoming release of vinyl versions. Note that -- as has become custom these days -- various retailers will have uniquely different versions.

According to Concord's press release...

On the eve of Vince Guaraldi being honored with the National Music Council's American Eagle Award -- details here -- Craft Recordings celebrates his 91st birthday by announcing the vinyl edition of his music for It’s The Great Pumpkin, Charlie Brown, scheduled for release on August 30. The disc will include the iconic pumpkin as an etching on side B. The package also includes an introduction from the TV special’s executive producer, Lee Mendelson, and insightful liner notes by Derrick Bang, Peanuts historian and author of Vince Guaraldi at the Piano.

A special limited edition (500 copies only) -- pressed on a glow-in-the-dark vinyl -- will be available exclusively at the Craft Recordings Store.

It’s The Great Pumpkin, Charlie Brown: Music from the Soundtrack features some of the most iconic tracks in pop culture, including the instantly recognizable “Linus and Lucy,” as well as the languid, lyrical “Great Pumpkin Waltz.” The music was recorded on October 4, 1966, at Desilu’s Gower Street Studio in Hollywood, California, by Guaraldi (piano) and his longtime friends and trio sidemen -- bassist Monty Budwig and drummer Colin Bailey -- joined by Emanuel Klein (trumpet), John Gray (guitar) and Ronald Lang (woodwinds). 

“This is the quintessential Vince Guaraldi for our Peanuts specials ... some of his best atmospheric jazz,” Mendelson notes. “Vince’s score carries the gang with the autumn leaves, through the scary and cold Halloween night. This music comforts the indomitable faith of Linus, still waiting for his hero since 1966: forever in our ears, hearts and memories.”

“Guaraldi had a strong sense of how music could -- and should -- be employed to maximize the viewing audience’s emotional response,” writes Bang. “[He] emphatically established the Peanuts ‘musical personality’ with this third outing, and all subsequent prime-time specials owed much to the groovin’ atmosphere that is so prevalent in Great Pumpkin. Guaraldi had a gig for life ... and his legacy lives on, expand[ing] by the year, thanks in great part to the jazz swagger given to an insecure blockhead and his lovably crazy beagle.”

This announcement comes on the anniversary of Guaraldi’s birthday (born July 17, 1928). We honor a real-life Schroeder, who through his music introduced generation after generation to the beauty of the distinctly American artform of jazz.

Will the preferred soundtrack please stand up?

I field a lot of questions regarding Guaraldi, more so now, in the wake of my book's arrival in the spring of 2012. I enjoy the correspondence, particularly when somebody points me in the direction of some previously unknown detail about the jazz pianist's life, or confirms an anecdote or concert date that I suspected was genuine, but hadn't yet verified.

Folks love to discuss his music as well, and particularly his score for 1965's debut Peanuts TV special, A Charlie Brown Christmas.

The most common question these days actually is a request: Numerous fans want to know how to distinguish the "original" 2006 Concord/Fantasy CD from the later "corrected" version. If you're not familiar with the controversy that erupted when this re-mastered album debuted, the exhaustive details can be found here. The pertinent modifications on the initial 2006 release concerned four tracks, and this is how Fantasy described them:

Track 1: "O Tannenbaum" -- the original LP version cut off the introduction to the song, which has been reinstated on this new CD;

Track 4: "Linus And Lucy" -- the original LP version was an edit of two different takes, whereas in the remix for the new CD we ran one of the takes in its entirety; 

Track 5: "Christmas Time Is Here" (instrumental) -- the original LP version fades out at the end of the song, almost losing the last chord, which can be heard quite clearly on this new CD;

Track 7: "Skating" -- the original LP version fades during the bass solo at the very end, whereas this remastered CD allows the song to run to its conclusion, which adds about 10 seconds to the track.

Unfortunately, longtime listeners were very unhappy with these changes, insisting that they wanted the listening experience to be just as it was on the 1965 LP (although apparently it was all right to clean up extraneous studio noise). One must not tamper with perfection, folks insisted, and the situation was worsened by the fact that an entirely different take accidentally had been selected for Track 9, "Christmas Is Coming."

The other side of the debate was occupied by jazz fans who hunger for just the sort of alternate takes that this 2006 album provided. (Four bonus tracks offered yet more variety.) I belonged in their company, and I honestly couldn't understand the fuss; it wasn't as if all the LPs and 1988 CDs had vanished — or ever would — leaving people with no choice but the 2006 album. People who preferred the original listening experience still could find it, and quite easily.

But Concord/Fantasy bowed to public pressure and agreed to switch things back on all future pressings of the 2006 CD. Additionally, patrons unhappy with their "defective" 2006 originals were encouraged to send 'em back for this "corrected" version; the offer was valid through March 1, 2007 (so don't expect anything at this late date).

Well, you can imagine what happened next.

Intrigued by the controversy, some folks wanted the original 2006 disc; others wanted its replacement. Some wanted both. The problem: There was no way to tell 'em apart from the outside. One had to play a disc in order to identify it. (Queue up "Linus and Lucy" and listen for drums — or the lack thereof — in the opening measures.) That's not too helpful, unless one had access to a store that carried used CDs and equipment on which to test-play them.

Flash-forward to the present day, and there's still no way to tell 'em apart. The exterior packaging is virtually identical; heck, even the discs themselves are identical. No distinguishing codes along the edges; no indication of "second printing" or words to that effect. And so I'm asked this question a lot, and until now I've not been able to share any useful information.

Thanks to the diligent help of an equally obsessed friend, however, I now can offer a partial ray of sunshine.

There's still no way to distinguish individually sealed versions of 2006 Mark 1 and Mark 2. But the 2007 holiday season debuted an attractively designed tin that contained three CDs: 1998's Charlie Brown's Holiday Hits; the 2005 compilation album, 40 Years: A Charlie Brown Christmas; and the 2006 re-mastered version of A Charlie Brown Christmas ... and the latter is the second, "corrected" version. Best of all, it can be identified by three distinguishing features:

1) The package was distributed and marketed by Madacy Entertainment, of Quebec, Canada, and each disc's exterior artwork also includes this information on the back cover;

2) The Madacy disk comes in plastic clamshell packaging, as opposed to Fantasy's paper tri-fold with the clear "cel" window; and

3) For some odd reason, the word "stereo" was left off the cover of this set's version of the 2006 Charlie Brown Christmas. And that's easy to spot.

So: Although I still can't help anybody wishing a guaranteed copy of 2006 Mark 1, folks wanting Mark 2 are encouraged to seek this tin set ... which has the added bonus of a heavily discounted price.

That's half the battle, anyway...

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Speaking of minor controversies, it has long been known that while Coca-Cola sponsored the initial 1965 broadcast of A Charlie Brown Christmas, the soft drink titan's involvement was stripped away in later years, when CBS sold commercial spots to all sorts of advertisers. The TV special's opening scene, with Charlie Brown and the rest of the Peanuts gang skating to the gentle refrain of "Christmas Time Is Here," was similarly truncated when the show was released on video; the cute plug for Coke, as Snoopy slammed Linus and his blanket into a convenient sign, was removed. A second acknowledgment, at the special's conclusion ("Merry Christmas from the people who bottle Coca-Cola"), also was excised.

All these years later, whether on VHS, DVD, Blu-ray or anything else, the show never has been completely intact. As a result, the Coca-Cola sponsorship has assumed the aura of legend, with an equal number of people arguing that Coke never did have a visible presence in A Charlie Brown Christmas ... despite the premature — and quite obvious — fade to black and muting of the soundtrack immediately after the show's title appeared on screen.

I've long known that the Paley Center for Media, with branches in Los Angeles and New York, has a copy in its archives; visitors can visit and view the show, but the Paley Center absolutely does not make copies. I assume that their copy is the original, wholly intact version ... but as I've not yet been able to make the trip and see for myself, I cannot state this with certainty.

Happily, I no longer need to. A helpful soul has posted definitive proof on YouTube: both the key seconds immediately following the show's title and the holiday greeting, complete with Coca-Cola logo, at the end.

But every answer comes with a price: While this footage resurrects the long-discarded proof of Coca-Cola's participation, sharp-eared Guaraldi fans will realize that the background song — "Christmas Time Is Here" — in the opening scene concludes with a refrain quite different from the version used for the 1965 album!

So where in Fantasy's vault is that take hiding?

It simply never ends...